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#Exhibit of the Month

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In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour


Publications Journal „Tyragetia"


Guidelines for authors

Ethical principles

The journal "Tyragetia" is guided in its activity by ethical principles set out in COPE Best Practice Guidelines for Journal Editors

The journal asks authors to pay attention to the following aspects:

- temporarily does not publish materials of researchers from the Russian Federation (according to the decision of the Scientific Council of NMHM of 19.12.2022);

- the journal does not publish materials that may be considered plagiarized;

- for publication are only accepted novel, previously unpublished materials. The author is obliged to inform the editorial board if submitted article was submitted for publication in other journals or if there is an already published modified version of the same article;

- the editorial board is taking consideration of the fact that submitted for peer review and publication materials are confidential. Unpublished material will not be used under any circumstances by the editor, reviewers or publishers for personal purposes or any other purpose;

- we encourage all authors to be respectful and to be guided by academic fairness in articles containing criticism of colleagues. Otherwise, the editor reserves the right to reject or edit the material to meet these requirements;

- analysis and review of materials by the editorial board of the journal focuses exclusively on scholarly value, clarity of presentation and scholarly ethics requirements. The process of accepting articles for publication excludes all discrimination based on sex, age, race, religion, nationality or any other discriminatory criterion.


Structure of the journal

The journal has the following sections:

I. Studies

II. Materials and research

III. Reviews and book presentations

Upon need, two other compartments are added: Tribute and In memoriam


Instructions for authors

Contributions should be submitted in Romanian, Russian, English, German, French.

The volume of the manuscripts shouldn’t exceed 100,000 signs, (approximately 2,5 ens), including bibliography, summaries and illustrations.

The texts of the contributions should be submitted as digital copies: Microsoft Word; Times New Roman (with diacritics specific to the text language); Font size 12; Spaсe 1,5.

Articles should have keywords (5-7 words) and summaries (max. 1500 signs) in three languages: Romanian, Russian, English (German or French).

Plates (illustrations) should be provided in clear graphic (GRAYSCALE, format TIF, JPG – minimum 300 dpi and higher) and should respect the maximum size of page mirror (16×23,5 cm or 7,5×23,5, including the legend). Each object on the plate will be numbered using numbers (if necessary letters), using font Georgia, font size 10. Illustrative material must also be accompanied by a list of illustrations (Microsoft Word, Times New Roman, font size 10) with a comprehensive legend in Romanian, Russian, English (German or French).

Bibliographic notes should be presented in original, inside the manuscript text: (Teodor 2005, 172, fig. 7/4-6; Müller 1953, 123, Abb. 15/4-6; Петров 1999, 15, рис. 3/4-6).

Explanations, comments and references to archive and museum funds will be made at the footer (continuous numbering).

References to illustrations (figures) from text should be done in parenthesis, in short, according the following example (fig. 2/7; Abb. 2/7; рис. 2/7).

Bibliography should be presented in alphabetical order at the end of the text.

Citation of monographs:

Boardman 1988: J. Boardman, Grecii de peste mări. Colonizarea greacă și comerțul timpuriu (București 1988).

Козуб 1974: Ю.I. Козуб, Некрополь Ольвiï V-IV ст. до н.e. (Киïв 1974).

Citation of articles published in collections of scholarly articles:

Behren 2005: Claudia von Behren, Sklaven und Freigelassene auf bosporanischen Grabreliefs. In: (Ed. V. Cojocaru) Ethnic Contacts and Cultural Exchanges North and West of the Black Sea from the Greek Colonization to the Ottoman Conquest (Iași 2005), 167-194.

Ванчугов 1981: В.П. Ванчугов, Поселение позднего бронзового века Ялпуг-IV в Нижнем Подунавье. В сб.: (Отв. ред. П.О. Карышковский) Памятники древних культур Северо-Западного Причерноморья (Киев 1981), 91-102.

Citation of works published in periodical editions (journals, yearbooks etc.):

Postică 2005: Gh. Postică, Complexul monumental din piatră din secolul XV descoperit în citadela Orheiului Vechi. Revista Arheologică S.N. I/2, 2005, 371-387.

Рехо 1973: М. Рехо, Атическа рисувана керамика в тракийския погребален контекст. Наблюдения върху съдовете, открити в България. Aрхеология 31/2, 1973, 11-19.

Citation of materials published in volumes of symposiums and scholarly conferences:

Trohani 2004: G. Trohani, Aspects concernant des rituels de fondation chez les geto-daces. Tracians and circumpontics world. Proceedings of the Ninth International Congress of Thracology, Chișinău-Vadul lui Vodă, 6-11 september 2004, II (Chișinău 2004), 332-337.

Бибикова 1972: В.И. Бибикова, О доместикации лошади на Юго-Востоке Европы. Матерiали XIII конференцiï Iнституту археологiï АН УРСС, Киïв, 1968 (Киïв 1972), 106-110.

If abbreviations are used in text and bibliography, a list of abbreviations should be attached in the end.

Data about the author is attached at the end of the text: name, surname; academic degree; position; institution; address; telephone, fax, e-mail.


Deadlines

To facilitate the timely issue of the journal please respect the deadline for paper submission – March 1 of each year.


Taxes

The journal does not charge for processing and editing articles. Authors receive a copy of the journal in which the article was published without any charge.


Copyright

The journal allows authors to hold and keep copyrights on articles without restrictions.




 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...

Read More >>

































The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC