The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
The journal asks authors to pay attention to the following aspects:
- temporarily does not publish materials of researchers from the Russian Federation (according to the decision of the Scientific Council of NMHM of 19.12.2022);
- the journal does not publish materials that may be considered plagiarized;
- for publication are only accepted novel, previously unpublished materials. The author is obliged to inform the editorial board if submitted article was submitted for publication in other journals or if there is an already published modified version of the same article;
- the editorial board is taking consideration of the fact that submitted for peer review and publication materials are confidential. Unpublished material will not be used under any circumstances by the editor, reviewers or publishers for personal purposes or any other purpose;
- we encourage all authors to be respectful and to be guided by academic fairness in articles containing criticism of colleagues. Otherwise, the editor reserves the right to reject or edit the material to meet these requirements;
- analysis and review of materials by the editorial board of the journal focuses exclusively on scholarly value, clarity of presentation and scholarly ethics requirements. The process of accepting articles for publication excludes all discrimination based on sex, age, race, religion, nationality or any other discriminatory criterion.
Structure of the journal
The journal has the following sections:
I. Studies
II. Materials and research
III. Reviews and book presentations
Upon need, two other compartments are added: Tribute and In memoriam
Instructions for authors
Contributions should be submitted in Romanian, Russian, English, German, French.
The volume of the manuscripts shouldn’t exceed 100,000 signs, (approximately 2,5 ens), including bibliography, summaries and illustrations.
The texts of the contributions should be submitted as digital copies: Microsoft Word; Times New Roman (with diacritics specific to the text language); Font size 12; Spaсe 1,5.
Articles should have keywords (5-7 words) and summaries (max. 1500 signs) in three languages: Romanian, Russian, English (German or French).
Plates (illustrations) should be provided in clear graphic (GRAYSCALE, format TIF, JPG – minimum 300 dpi and higher) and should respect the maximum size of page mirror (16×23,5 cm or 7,5×23,5, including the legend). Each object on the plate will be numbered using numbers (if necessary letters), using font Georgia, font size 10. Illustrative material must also be accompanied by a list of illustrations (Microsoft Word, Times New Roman, font size 10) with a comprehensive legend in Romanian, Russian, English (German or French).
Bibliographic notes should be presented in original, inside the manuscript text: (Teodor 2005, 172, fig. 7/4-6; Müller 1953, 123, Abb. 15/4-6; Петров 1999, 15, рис. 3/4-6).
Explanations, comments and references to archive and museum funds will be made at the footer (continuous numbering).
References to illustrations (figures) from text should be done in parenthesis, in short, according the following example (fig. 2/7; Abb. 2/7; рис. 2/7).
Bibliography should be presented in alphabetical order at the end of the text.
Citation of monographs:
Boardman 1988: J. Boardman, Grecii de peste mări. Colonizarea greacă și comerțul timpuriu (București 1988).
Козуб 1974: Ю.I. Козуб, Некрополь Ольвiï V-IV ст. до н.e. (Киïв 1974).
Citation of articles published in collections of scholarly articles:
Behren 2005: Claudia von Behren, Sklaven und Freigelassene auf bosporanischen Grabreliefs. In: (Ed. V. Cojocaru) Ethnic Contacts and Cultural Exchanges North and West of the Black Sea from the Greek Colonization to the Ottoman Conquest (Iași 2005), 167-194.
Ванчугов 1981: В.П. Ванчугов, Поселение позднего бронзового века Ялпуг-IV в Нижнем Подунавье. В сб.: (Отв. ред. П.О. Карышковский) Памятники древних культур Северо-Западного Причерноморья (Киев 1981), 91-102.
Citation of works published in periodical editions (journals, yearbooks etc.):
Postică 2005: Gh. Postică, Complexul monumental din piatră din secolul XV descoperit în citadela Orheiului Vechi. Revista Arheologică S.N. I/2, 2005, 371-387.
Рехо 1973: М. Рехо, Атическа рисувана керамика в тракийския погребален контекст. Наблюдения върху съдовете, открити в България. Aрхеология 31/2, 1973, 11-19.
Citation of materials published in volumes of symposiums and scholarly conferences:
Trohani 2004: G. Trohani, Aspects concernant des rituels de fondation chez les geto-daces. Tracians and circumpontics world. Proceedings of the Ninth International Congress of Thracology, Chișinău-Vadul lui Vodă, 6-11 september 2004, II (Chișinău 2004), 332-337.
Бибикова 1972: В.И. Бибикова, О доместикации лошади на Юго-Востоке Европы. Матерiали XIII конференцiï Iнституту археологiï АН УРСС, Киïв, 1968 (Киïв 1972), 106-110.
If abbreviations are used in text and bibliography, a list of abbreviations should be attached in the end.
Data about the author is attached at the end of the text: name, surname; academic degree; position; institution; address; telephone, fax, e-mail.
Deadlines
To facilitate the timely issue of the journal please respect the deadline for paper submission – March 1 of each year.
Taxes
The journal does not charge for processing and editing articles. Authors receive a copy of the journal in which the article was published without any charge.
Copyright
The journal allows authors to hold and keep copyrights on articles without restrictions.
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
