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The work In Memoriam. In Memory of the Heroes Who Fell at the Nistru (1992) was developed within the Center for Culture and Military History and published under the auspices of the Government of the Republic of Moldova, the Bureau for Reintegration, and the Ministry of Defense of the Republic of Moldova. Authors: Gheorghe Bălan, Vitalie Ciobanu, Gheorghe Cojocaru.

This work provides a retrospective of the events that led to the outbreak of the war on the Nistru, accompanied by photographs of the heroes who lost their lives in the battles to defend the independence and territorial integrity of the Republic of Moldova.

On March 2, 1992, the political conflict in the Nistru region escalated into a true fratricidal war. Under the fabricated pretext of "defending Russia's southern borders," political adventurers from the former Soviet metropolis encouraged Transnistrian separatism by arming secessionist paramilitary groups. At the same time, thousands of mercenary Cossacks and prisoners released early from jails, along with tanks and missiles, were sent against Independent Moldova, in a desperate attempt to revive the fallen empire.

Russia's undeclared war against the Republic of Moldova left behind hundreds of dead and wounded, shattered families, and villages in ruins. More than 50,000 peaceful residents from the conflict zone were forced to flee their homes, seeking refuge from the horrors of war.

For the sake of freedom and the future, Moldova's defenders faced death, enduring the hardships and humiliations of war.

During the Nistru war, 198 soldiers of the National Army and 89 personnel from the Ministry of Internal Affairs lost their lives, while 40 combatants went missing without a trace, and nearly 300 were left disabled.

Virtual Tour


Exhibitions

“Among posters and musical instruments”

June 27, 2019 - November 23, 2020

 
The exhibition Among posters and musical instruments is the result of the research and valorization of the collection of posters (about a thousand pieces) and musical instruments from the collections of the National Museum of History of Moldova. Through its approximately 80 posters and 50 musical instruments, selected according to a chronological, typological and diversity criteria, the museum institution fulfills its obvious function to preserve in time and valorize the cultural heritage which includes posters and musical instruments. Established over several decades during the 20th century from donations and acquisitions, the poster collection is a short chronicle of Moldovan musical events from the East of Prut between 1900-2010. It is a pioneering exhibition, the collection of musical posters being displayed for the first time, and aims to familiarize the public with the evolution of the musical poster as advertising support of documentary and artistic value, but also as a work of art. The diversity of the collection of musical instruments, some with particular memorial value, allows us to follow and fill in the creative biography of artists, but also the existence of a musical piece in time.

The evolution of the musical poster both chronologically and as composition, form and content was structured into four categories: the musical poster from the Tsarist period (1812-1918), the interwar period (1918-1944), the Soviet period (1944-1991) and the musical poster from the period of independence of the Republic of Moldova. The oldest music program poster in the collections of the museum dates back to the 19th century and it is an announcement of the concert of the baritone V. Anenkov at the Nobility Club in Chişinău on February 6, 1900. The musical poster of the interwar period, modest as number, is valuable through generous information, where we can identify musical events, valuable interpreters, and places where musical performances were given. The Soviet-era musical poster was different from the previous ones in color, but also in text, as they also had an ideological role. In the early 90ies of the 20th century, the poster is varied in shape, chromatics, rich in images (with pictures of performing artists), but modest as informative text.

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The most valuable category of musical posters is those of classical music (symphonic, choral, instrumental, vocal) represented by the most famous orchestras of the time: Symphonic Orchestra of the State Philharmonic, National Symphonic Orchestra of „Teleradio Moldova" Company, National Chamber Orchestra, Academic Chapel „Doina", etc. A special message is offered by the posters of the popular folk music orchestras, which contributed to preserving and promoting the folk music: „Mugurel", „Fluieraş", „Folclor", „Lăutarii", the ethnofolkloric group „Tălăncuţa" etc. The collection includes posters of music groups and interpreters of popular music „Noroc", „Orizont", „Plai", „Legenda", „Colinda" etc., as well as posters of various festivals, contests and tours. In the musical atmosphere of the exhibition there is a beautiful collection of musical instruments, some of them of memorial value: the violin of the famous Bessarabian Gheorghe Heraru (1853-1920) and the violin of the master Sergei Lunchevici (1934-1995). The elegance of the music is also transmitted by the pieces of clothing that belonged to some personalities who left an important page in the history of the musical culture of the Republic of Moldova.


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The work In Memoriam. In Memory of the Heroes Who Fell at the Nistru (1992) was developed within the Center for Culture and Military History and published under the auspices of the Government of the Republic of Moldova, the Bureau for Reintegration, and the Ministry of Defense of the Republic of Moldova. Authors: Gheorghe Bălan, Vitalie Ciobanu, Gheorghe Cojocaru...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC