#Exhibit of the Month

The exhibit of the month for November is a rare glass goblet from the Sântana de Mureș-Chernyakhov cemetery, discovered in Tigheci. Dated to the second half of the 4th century AD, this remarkable artifact demonstrates the craftsmanship of the time, made from translucent greenish glass with a truncated cone shape and intricate geometric decoration. The goblet features three rows of hexagonal facets, framed by incised lines, and a row of elongated ovals under the rim, characteristics which classify it within Series VII A, according to E. Straume's classification. These ornamental traits hint at artistic influences from various regions and indicate the spread of technologies and ideas within the Sântana de Mureș-Chernyakhov culture.

Archaeological Context of the Discovery

The Sântana de Mureș-Chernyakhov cemetery at Tigheci is located in a historically complex area, positioned on the northwest slope of the Tigheci River, at the "La Lutărie" point. First identified in the 1980s following unauthorized clay extraction, the cemetery has suffered considerable damage, leading to the loss of valuable artifacts and the destruction of graves. Among the objects recovered by Mr. Ion Pușcașu, founder of the Museum of History and Ethnography in Tigheci, are wheel-thrown ceramic items reflecting the traditions and techniques of communities during the Migration Period.

The site was first archaeologically investigated in 1990, when a complete inhumation grave was found, though lacking any inventory. Subsequent surveys in 2013 and 2015 by the National Archaeological Agency revealed ongoing erosion damaging the cemetery, necessitating a rescue excavation in 2017. This campaign documented and investigated five graves from the Sântana de Mureș-Chernyakhov culture, including the skeletal remains of a male individual estimated to have been 40 to 45 years old at the time of death, offering additional insights into the demographic structure of this community.

Cultural Significance and Comparisons

The hexagonally faceted glass goblet is among the most valuable artifacts from the Tigheci cemetery. Similar goblets are characteristic of the Sântana de Mureș-Chernyakhov culture and have been found in notable sites such as Târgșor and Bârlad-Valea Seacă (Romania) and Gavrilovka, Ranjevoe (Ukraine), reflecting the cultural and trade connections of this community with other centers of influence in Late Antiquity. Ancient texts and cultural parallels suggest a complex interaction zone with Hellenistic and Roman influences, reflected in luxury goods production such as this glass goblet.

Virtual Tour

Exhibitions

“Among posters and musical instruments”

June 27, 2019 - November 23, 2020

The exhibition Among posters and musical instruments is the result of the research and valorization of the collection of posters (about a thousand pieces) and musical instruments from the collections of the National Museum of History of Moldova. Through its approximately 80 posters and 50 musical instruments, selected according to a chronological, typological and diversity criteria, the museum institution fulfills its obvious function to preserve in time and valorize the cultural heritage which includes posters and musical instruments. Established over several decades during the 20th century from donations and acquisitions, the poster collection is a short chronicle of Moldovan musical events from the East of Prut between 1900-2010. It is a pioneering exhibition, the collection of musical posters being displayed for the first time, and aims to familiarize the public with the evolution of the musical poster as advertising support of documentary and artistic value, but also as a work of art. The diversity of the collection of musical instruments, some with particular memorial value, allows us to follow and fill in the creative biography of artists, but also the existence of a musical piece in time.

The evolution of the musical poster both chronologically and as composition, form and content was structured into four categories: the musical poster from the Tsarist period (1812-1918), the interwar period (1918-1944), the Soviet period (1944-1991) and the musical poster from the period of independence of the Republic of Moldova. The oldest music program poster in the collections of the museum dates back to the 19th century and it is an announcement of the concert of the baritone V. Anenkov at the Nobility Club in Chişinău on February 6, 1900. The musical poster of the interwar period, modest as number, is valuable through generous information, where we can identify musical events, valuable interpreters, and places where musical performances were given. The Soviet-era musical poster was different from the previous ones in color, but also in text, as they also had an ideological role. In the early 90ies of the 20th century, the poster is varied in shape, chromatics, rich in images (with pictures of performing artists), but modest as informative text.

The most valuable category of musical posters is those of classical music (symphonic, choral, instrumental, vocal) represented by the most famous orchestras of the time: Symphonic Orchestra of the State Philharmonic, National Symphonic Orchestra of „Teleradio Moldova" Company, National Chamber Orchestra, Academic Chapel „Doina", etc. A special message is offered by the posters of the popular folk music orchestras, which contributed to preserving and promoting the folk music: „Mugurel", „Fluieraş", „Folclor", „Lăutarii", the ethnofolkloric group „Tălăncuţa" etc. The collection includes posters of music groups and interpreters of popular music „Noroc", „Orizont", „Plai", „Legenda", „Colinda" etc., as well as posters of various festivals, contests and tours. In the musical atmosphere of the exhibition there is a beautiful collection of musical instruments, some of them of memorial value: the violin of the famous Bessarabian Gheorghe Heraru (1853-1920) and the violin of the master Sergei Lunchevici (1934-1995). The elegance of the music is also transmitted by the pieces of clothing that belonged to some personalities who left an important page in the history of the musical culture of the Republic of Moldova.