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#Exhibit of the Month

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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour


Exhibitions

“ArheOS
- when anthropologist and archaeologists make bones to speak”

June 13 - November 10, 2019

 
"Archeology is anthropology or nothing" used to say the famous American archaeologists Gordon Willey and Philip Phillips in 1958, thus theorizing a course of research in archeology that, although understood by many, was practiced by very few. The two set the objectives of archaeological research as studying and solving human, cultural and social problems, and anthropology became a tool of obtaining that information and knowledge.

In complex archaeological research, absolutely all recovered fragments are important, whether they represent the results of human activity - artifacts (ceramics, clothing and ornaments, tools made of different materials, weapons, etc.) or osteological material itself. Their interdisciplinary research provides additional data to help complete the daily picture and work of the past.

This exhibition, which brings together archeological artifacts of particular importance, through the sum of their knowledge and osteological materials of special significance, represents a "bridge" through which today's archaeologists and anthropologists "speak" with our predecessors. By analyzing them, we can now know what physical activity they have had, why diseases have suffered and how they have tried to treat some, what were the conditions they lived and what they fed, what rituals they practiced and what has remained behind them. Their histories are fascinating, and their secrets are revealed.

The narrative behind this exhibition was born in the context of extensive research on the human skeleton in recent years, which has often become an avoided subject in different societies. Viewed and accepted differently, often with negative connotations, the skeleton represents for researchers a valuable source of information. Treated and interpreted with great care for all the details, it helps to reconstitute scenes and aspects of the lives of long gone human communities.

The exhibition presents, in chronological order, funerary complexes from the Paleolithic to the Middle Ages, associated with the inventory of graves, sometimes richer, sometimes more austere, defining and representative for the periods concerned. The most spectacular cases recorded by archaeological and anthropological science are highlighted: skulls with intentional ritual deformations, skulls with traces of "surgical" interventions, bones with traces of pathologies or traumas, are the messengers through which we are now closer to the life, activity, spirituality and beliefs of the past.

The concern for the body manifested more or less by man, has left legible traces in our bone matrix since old times. Whether it took the form of aesthetic care, whether it was in the curative field, all the actions to which the skeleton was subjected left its mark on the surface or in the structure of the bones.

Communicating with the people of the past becomes even more interesting the more unusual are the stories that are hidden in their bones.

The exhibition project „ArheOS: when anthropologists and archaeologists make bones to speak" is the achievement of an extraordinary team, it is the cumulative effort of some major and important research institutions: National Museum of History of Moldova and the Anthropological Research Center „Olga Necrasov", the Romanian Academy - Iaşi Branch, Romania.

Curators: drd. Mariana Vasilache-Curoșu (Chișinău) and dr. Angela Simalcsik (Iași).


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
10 December – 19 December 2025
 
Exhibition ”Art Speaks Where the Voice Is Silent”
 
25 November – 19 December 2025
 
2 December 2025 – 4 January 2026
 
September 25, 2025 – September 1, 2026
 
August 11, 2025 – January 31, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC