#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour

Exhibitions

“Burning Candela of Faith”

May 16 - September 15, 2015

The Exhibition "Burning Candela of Faith" is organized by the Sector of Medieval History and Numismatics, coordinator A. Chiroșca, for the promotion of the collection of marial icons from the museum's collections. It gathers around 90 icons painted in tempera and oil on wood, which are representative by the multitude of marial types, different styles and painting techniques.

Dated from the end of sixteenth century until mid twentieth century, the icons come from Bessarabia and Russia illustrating famous models - Mother of God of the Three Hands, Mother of God „of the Sign", Mother of God of Vladimir, Mother of God of Kazan, Mother of God of Hârbovăț, and the rare copies - Mother of God „Areovindus", Mother of God „the Three Joys", Mother of God „the Blessed Whomb".

The icons are systematized in several compartments: icons evoking fragments from the life of the Virgin, general types of marial iconography, fragments of iconostases and icons representing churches that they were once part of. In the exhibition were included icons with double painting, with partial painting or on thin layer, also icons stamped on wood and metal.

The exhibition presents as well a series of icons cast in bronze, some gold and silver medallions, cult objects, lampads, candelas and pectoral crosses.

#Exhibit of the Month

Fabergé Ladle

“Burning Candela of Faith”

May 16 - September 15, 2015

#Exhibit of the Month