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#Exhibit of the Month

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The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage.
The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience.
Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region.
Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).

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Exhibitions

„FEEL HARMONY”

December 03-20, 2020

We invite art connoisseurs to experience the harmony of various artistic media at the conceptual exhibition of the artist Valeria Barbas "Feel Harmony". From October to November, in dangerous conditions, the artist captured the space of the S. Lunkevich National Philharmonic Hall after the fire by means of photo, video and audio filming. Within the framework of this suggestive exhibition, the artist presents to the attention of visitors not only a kind of documentary archive of photographs and the author's film, but also artistic conceptualization through various audiovisual media - painting, art object, video art installation, sound.

"What is harmony? How to achieve it? Maybe we should learn to feel, see and hear it in the simplest things? In the turmoil of 2020, which brought significant changes that we all felt, in a pandemic, it is becoming increasingly difficult to find harmony, inner balance. COVID 19 seriously affected the cultural sphere in the Republic of Moldova, but apart from the empty and sometimes closed exhibition and concert halls, another catastrophe struck the heart of Chisinau - the fire in the S. Lunkevich National Philharmonic Hall. Since childhood, I have often attended the Philharmonic, there was practically no year when I had not attended concerts of the Mărțișor festival, the Days of New Music, the Ethno-Jazz. My symphonic poem "Genesis" was first performed on the stage of the Philharmonic Hall, in the same place in 2008 my personal exhibition took place, which marked the beginning of painting exhibitions. This fall, I watched the Philharmonic space transforming from day to day. With regret, but also with a desire to save at least something, I participated in the selection of scores that survived the fire. From documenting to rethinking some of the items that became artifacts for me, I tried to breathe new life into what was practically ash yesterday. Harmony is born from the ashes. You just need to feel it" - Valeria Barbas, doctor of art history, artist.

The exhibition presents the results of documenting / archiving / conceptualizing the space of the S. Lunkevich National Philharmonic Hall , carried out by the artist V. Barbas after the fire for two months in conditions of risk: from photography and documentary films to rethinking space through other media such as painting / art object / video art installation / sound.

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Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC