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#Exhibit of the Month

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The ceramic vessel set was discovered accidentally in October 2025 in the southwestern part of the village of Bălceana, Hâncești District, approximately 1.2 km from the Lăpușnița River. The archaeological materials were recovered by the National Archaeological Agency.

The ceramic assemblage consists of a large storage vessel (pithos) with a capacity of 20 litres (h = 39.2 cm; d = 35.0 cm), decorated with a raised band below the rim; a medium-sized bowl with a capacity of 2.5 litres (h = 16.9 cm; d = 23.2 cm); a medium-sized jug with a capacity of 0.6 litres (h = 12.0 cm; d = 13.4 cm); and the base of a jar-shaped vessel.

The coarse handmade pottery was produced using the coil-building technique, by stacking and shaping coils of clay prepared from a paste tempered with crushed fired clay (grog) and sand. The vessel surfaces are uneven and covered with a yellowish-red slip featuring black patches, while the core of the vessel walls is black in colour.

The three vessels preserved intact display well-defined biconical shapes, with their maximum diameter at the middle of the body and straight or slightly oblique rims with rounded edges. Pottery of this type is characteristic of the Early Medieval cultural area of the northern and northwestern Black Sea region, dating from the 5th to the 7th centuries. East of the Dniester River, on the territory of present-day Ukraine, analogous pottery is found in Penkovka-type settlements, while in the Carpathian-Dniester region it is characteristic of settlements belonging to the Costișa-Botoșana-Hansca cultural group.

Within the Prut-Dniester region, coarse biconical pottery is generally represented by fragments and only relatively rarely by complete vessels, such as those discovered at Hansca, Dănceni, Recea, Seliște, Păhărniceni, and other sites. This type of pottery constituted an indispensable component of the local material culture during the 5th-7th centuries. In this context, the discovery at Bălceana of an almost intact set of coarse biconical vessels represents a relatively rare find of considerable scientific importance.

According to certain hypotheses, the tradition of coarse biconical pottery dating to the 5th-7th centuries originated in the North Pontic region. At the same time, it cannot be ruled out that these biconical ceramic vessels were the result of contemporary ethnocultural interactions, developing simultaneously across the vast territory extending from the Carpathian Mountains to the Dnieper River and the Seversky Donets.

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Exhibitions

„FEEL HARMONY”

December 03-20, 2020

We invite art connoisseurs to experience the harmony of various artistic media at the conceptual exhibition of the artist Valeria Barbas "Feel Harmony". From October to November, in dangerous conditions, the artist captured the space of the S. Lunkevich National Philharmonic Hall after the fire by means of photo, video and audio filming. Within the framework of this suggestive exhibition, the artist presents to the attention of visitors not only a kind of documentary archive of photographs and the author's film, but also artistic conceptualization through various audiovisual media - painting, art object, video art installation, sound.

"What is harmony? How to achieve it? Maybe we should learn to feel, see and hear it in the simplest things? In the turmoil of 2020, which brought significant changes that we all felt, in a pandemic, it is becoming increasingly difficult to find harmony, inner balance. COVID 19 seriously affected the cultural sphere in the Republic of Moldova, but apart from the empty and sometimes closed exhibition and concert halls, another catastrophe struck the heart of Chisinau - the fire in the S. Lunkevich National Philharmonic Hall. Since childhood, I have often attended the Philharmonic, there was practically no year when I had not attended concerts of the Mărțișor festival, the Days of New Music, the Ethno-Jazz. My symphonic poem "Genesis" was first performed on the stage of the Philharmonic Hall, in the same place in 2008 my personal exhibition took place, which marked the beginning of painting exhibitions. This fall, I watched the Philharmonic space transforming from day to day. With regret, but also with a desire to save at least something, I participated in the selection of scores that survived the fire. From documenting to rethinking some of the items that became artifacts for me, I tried to breathe new life into what was practically ash yesterday. Harmony is born from the ashes. You just need to feel it" - Valeria Barbas, doctor of art history, artist.

The exhibition presents the results of documenting / archiving / conceptualizing the space of the S. Lunkevich National Philharmonic Hall , carried out by the artist V. Barbas after the fire for two months in conditions of risk: from photography and documentary films to rethinking space through other media such as painting / art object / video art installation / sound.

You are wellcome!


 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
September 25, 2025 – September 1, 2026
 
Over 2500 pieces made of precious metals with historic, artistic and symbolic value
  

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#Exhibit of the Month

The ceramic vessel set was discovered accidentally in October 2025 in the southwestern part of the village of Bălceana, Hâncești District, approximately 1.2 km from the Lăpușnița River. The archaeological materials were recovered by the National Archaeological Agency...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC