#Exhibit of the Month

Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.

The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.

The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.

The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.

The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.

The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.

Virtual Tour

Exhibitions

“Guardians of age-old borders”

70 years since the beginning of systematic research of medieval settlements on the Dniester

September 9, 2020 - January 4, 2021

2020 marks the 70th anniversary of the beginning of systematic archaeological research of the early medieval fortified settlements between the Răut and the Dniester. The investigations carried out in the sites of Echimăuți, Alcedar, Lucășeuca, Țareuca, Rudi - Farfuria Turcească, Poiana-Cunicea, Tătărăuca Nouă-Germănărie and others made it possible to reconstruct the historical and archaeological realities of the 9th-11th centuries AD. It was discovered that these complex strategic systems, consisting of a ditch, a rampart made of earth and wood, endowed with strong palisades, were built in the context of imminent threat from the outside and that they could be built by strong, well-cohesive political structures at the regional level.

The exhibition shows some of the discoveries in the northeast of the Prut-Dniester territory, represented by fortified round settlements built a fundamentis, "long houses", iron melting furnaces, craft workshops for making tools and weapons of iron, bone and horn or for the manufacture of silverware, burial mounds with cremation graves, hoards of tools and weapons, battle axes, hoards of silver objects containing Islamic and Byzantine coins, silver ingots, Scandinavian pendants with animalistic ornaments, including that of Gnezdovo type, iron weights in bronze foil, balance scale, miniature iron or bronze axes, amber beads, and so on. Some of these materials are presented in the basic exhibition or in the museum exhibition Treasury, others are kept in the collections of some museums in the Republic of Moldova or abroad.

The appearance, during this period, of defensive systems in the area between the rivers of Răut and Dniester, as well as in northern Bukovina, was associated with the penetration of Scandinavians into the region, who followed on the old trade route from the Baltic Sea to the Black Sea, to the Balkans, to Byzantium, Constantinople or Baghdad, along the Vistula and Dniester rivers, also called "the second trade route from the Varangians to the Greeks". The fortified settlements were places of rest for merchants or intermediate military camps, which over time became prosperous military, administrative, craft and trade centers, real medieval proto-cities, to the construction of which the local Romanian population contributed. Apparently, they were destroyed by the invasion of the Turanian nomads at the end of the 11th century.

The archaeological artifacts that form the basis of the exhibition are originals and only some of them have been subjected to restoration and conservation. Several battle axes are part of Mr. Victor Borshevich's private collection. The exhibition is complemented by a model of the fortified settlement from Echimăuți, made in the 1960s, several reconstructions of tools and weapons, and various and images that illustrate the subject matter.

The exhibition, through the artifacts displayed, contributes to the increase of the educational and cultural potential of the museum activities, to the promotion of the values of national heritage in the international context.

Curator: Ion Tentiuc, PhD