#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour

Exhibitions

„Mapping the Black Sea”
(The Black Sea in the European Cartography)

June 18-30 2021

The earliest cartographic evidence of the Black Sea coast in antiquity is the map of the Black Sea made on the leather covering a shield from 230-240 AD. It was discovered during archaeological excavations of the fortress of Dura Europos on the Euphrates River in Syria. It predates the so called Tabula Peutingeriana (4th c.), an itinerary or guide produced by Roman engineers.

The development of commerce and navigation in the Mediterranean basin, carried out mainly by Italian city states of Venice, Genoa, Ancona, and Amalfi,required the creation of portolans, which described the ports, connections and distances between them and the easiest access routes. The most renowned masters of navigational charts were Petrus Vesconte from Genoa, Angelino de Delorto and Guillelmo Soleri from Majorca, among others. Hence map-makers' workshops in Venice, Genoa, Pisa, Amalfi and Majorca established the foundations of modern European cartography.

Abraham Ortelius was among the first Europeans to create historical maps, including one of the Black Sea. Conceptions of the Black Sea Coast in the 16th-18th c. appeared in the works of many European mapmakers, cartographers' guilds and workshops. Famous map-makers notable for their achievements include Nicolas and Guillaume Sanson, Guillaume de l'Isle, Johann Baptist Homann, Isaak Tirion, and Johann van der Bruggen.

The maps and geographic descriptions presented in the exhibition show that throughout the ages there were economically and scientifically minded people - scientists, sailors, ecclesiastics, merchants and military men - who overcome all obstacles and prohibitions for the sake of collecting, analyzing and providing information and knowledge, oriented not to the human faith, but to the humanist mind.

The exhibition is organized in the frame of the project "Black Sea Archaeology, History and Culture Portal (ArHiCuP) under the Joint Operational Programme Black Sea Basin 2014-2020, co-financed by the European Union through the European Neighborhood Instrument. The partners in the project are: Museum of National History and Archeology Constanta, National Museum of History of Moldova and Municipality of Nessebar.

The exhibition will be displayed in the National Museum of History of Moldova between 18 and 30 June 2021.