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#Exhibit of the Month

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The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle. 
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services. 
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right. 
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord. 

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour


Exhibitions

“REMEMBERING CHILDHOOD, TESTIMONIES OF BESSARABIAN DEPORTEES”

Arbor Association for Culture and Arts, Bucharest

August 31 – September 25, 2022

On August 31, 2022, the Arbor Association for Culture and Arts and the Museum of Victims of Deportations and Political Repressions, a branch of the National Museum of History of Moldova, organized the opening of the exhibition "Remembering childhood, testimonies of Bessarabian deportees", which restores the spirit of tragic destinies, the testimonies of deportees and victims of the totalitarian regime from the left bank of the Prut in the Soviet period. The event was attended by the Ambassador of the Republic of Moldova in Romania Victor Chirilă, representatives of the academic and scientific communities from Romania and the Republic of Moldova. The opening enjoyed a wide interest from artists, representatives of the young generation and, particularly, from the descendants of Bessarabian families deported or repressed during the totalitarian-communist regime.

The collection of testimonies brings together materials and research carried out by the National Museum of History of Moldova in partnership with the Pro Memoria Institute Center of Excellence at the State University of Moldova, the Institute of History, the "Alecu Russo" State University in Balti and the "B.P. Hasdeu" State University in Cahul from 1991 to 2021. Investigations indirectly concerned the mechanisms of memory. We see how they work with people who in their childhood have gone through repressions and deportations, what dilemmas arise when it comes to representing the totalitarian past, how silence and collective amnesia have persisted. The research introduces new materials collected from family archives into scientific circulation, providing a broader context for the policy of forced Sovietization, as well as anti-Soviet resistance in Bessarabia.


During the exhibition, the curators Ludmila D. Cojocaru, director of the Museum of Victims of Deportations and Political Repressions, a branch of the National Museum of History of Moldova, and Victoria Nagy Vajda, president of the Arbor Association, proposed to trace the dramatic journey of some young people and children deported to the other end of the Soviet Union, whom the Soviet authorities considered "enemies of the people" and dangerous elements for society". The collection of testimonies takes the form of an installation made up of photographs nested in old jewellery boxes. The life stories of the repressed can be heard performed by Chisinau actors Elena Frunze-Hatman and Ghenadie Gâlcă, to the music of Ștefan Panea. The personal belongings of the deportees were brought from the National Museum of History of Moldova, from the Open-Air Museum Complex Memorial to the Victims of Political Repressions from the village of Mereni and from private collections; for a better understanding of the distance travelled by the deportees in freight cars, the artist Ramona Iacob created a map of the "Gulag of the Bessarabians". The exhibition will show the animated film "The Nameless Cat" about the Bessarabians deported to Siberia, made by the famous Chisinau artist Ghenadie Popescu.

In the context of the aggression of the Russian Federation against Ukraine and the news of the deportation of the Ukrainian population from the front line to Russia, we state that the practices of the past have not gone away, and the mistakes and terror of the last century still threaten us. Thus, the exhibition "Remembering childhood, testimonies of Bessarabian deportees" carries not only a page of the past, but also an alarm about the present, if humanity does not make every effort to restore peace and good neighbourliness in the region.

The project was carried out by the Arbor Association for Culture and Arts in partnership with the National Museum of History of Moldova, the Pro Memoria Institute Center of Excellence at the State University of Moldova and the Embassy of the Republic of Moldova in Romania.


Arbor.art.room

11 Transilvaniei Street, sector 1, Bucharest, Romania

"Remembering childhood, testimonies of Bessarabian deportees"
Curators: Ludmila D. Cojocaru and Victoria Nagy Vajda
Opening: 31.08.2022, from 16:00 to 21:00
Visiting period: 01.09.2022 - 25.09.2022
12:00 - 18:00 │ Monday, Tuesday closed



 




Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." ...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC