#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour

Exhibitions

“Science and Society in Bessarabia of the Modern Times”

(April 30 – October 1, 2010)

The exhibition is organized in partnership with the National Museum of Ethnography and Natural History, the National Library, and the Museum of Romanian Literature. The exhibition aims to familiarize the public with the history of science in Bessarabia in the modern times. For the first time there were combined and exhibited the most important museum collections reflecting the works and daily activity of Bessarabian scientists (documents, books, photographs, personal things, awards, etc.) Having been organized for familiarization of cultural and scientific values kept in different collections, the exhibition also has some collateral objectives:

-   making-up of estimative/evaluative inventory of the museum collections in the field of “the development of science” in Bessarabia in the 19th – early 20th centuries;

-   reconstruction of some exhibition segments presenting the evidences of the place and role of science in the development of Bessarabian society.

   Due to these 222 exhibits the visitors can discover a significant chapter in the history of the Bessarabian science in the modern times. The exhibition includes items which belonged to Alexandru Sturdza, Alexandru Hajdau, Costache Stamati, Alexis Nacu, Stefan Margela, Iacob Hancu, Bogdan P.Hasdeu, Polihronie Sircu, Alexander Yatsimirsky, Leon Casso, Arseny Stadnitsky, Zamfir Arbore, Ion Surucean, Axente Fruna. Being an expression of the creative power of several generation of the Bessarabians for more than a century, these valuable items (studies and research monographs, journals, annals of scientific societies, manuals) constitute an evidence of a great cultural raising in Bessarabia under the influence of Russian culture (after 1812). In a whole, the exhibits are an expression of a message through the works of high culture – the message of the resistance and victory of the Bessarabian Romanians in the time of the foreign domination.

   Scientific life in Bessarabia in the first half of the 19th century is presented in the exhibition through the activity of some scientific societies which had their headquarters in Odessa (Bessarabia was the administrative authority of the Governor-General of New Russia):

- The Imperial Agricultural Society of South Russa (1828) (the Bessarabian A. Sturdza was one of its establishers and its vice-president between 1833 – 1847);

- The Odessa Society of History and Antiquities (1839). In the journal of this society there were published many works written in the first half of the 19th century by the Bessarabians: Alexander Sturdza, Costache Stamati, Alexis Nacu, Carol and Matei Cotruta, Ion Surucean and others.

In the exhibition there are used a series of works written by foreign authors during the 19th century. These works constitute an impressive part of scientific research carried out by the imperial order in and about Bessarabia (A. Egunov, L. Berg, A. Zashchuk, P. Batyushkov, etc.). Simultaneously, there are exhibited works of Bessarabian authors, which were written or published in St. Petersburg, Moscow, Odessa, Bucharest (Stefan Margela, Iacob Hancu, Polihronie Sircu, Alexander Yatsimirsky, Leon Casso, Arseny Stadnitsky, Zamfir Arbore, etc). By the end of the 19th century the historical investigations carried out by several generations of Bessarabians resulted in delineation of research priorities:

-   Ion Surucean has laid the foundations of local epigraphy
-   Ion Halippa is the founder of local archive studies
-   A. Yatsivirsky and Polihronie Sircu are the founders of Bessarabian Slavic studies.
In the late 19th – early 20th centuries in Bessarabia there is a tendency of association in societies and scientific organizations. Their activities also are reflected in the exhibition:
-   Scientific Commission for Archives from Bessarabia (1898)
-   Historical and Archaeological Church Society (1904)
-   Society of Naturalists (1904), an exemplary centre of high scientific and practical organization in the field of agricultural research. Its activity is directly related to the establishment an activity of the Zemstvo Museum (collection of documents, photographs, entomological and ornithological exhibits). The work of the society is in line with local tradition in the field: College of Horticulture (1842) was the first agricultural research centre in Bessarabia (N. Mogilyansky, N. Zubovsky, N. Dimo, M. Pautynsky, P. Ungureanu).

Finally, in the exhibition there are presented a series of publications from 1912, original scientific papers, which are a national treasure (albums, calendars, studies, etc.). On the walls of the exhibition room there are photographs of the universities from St. Petersburg, Sorbonne, and Odessa; statutes of the scientific societies; a gallery of portraits of scientists from Bessarabia.

-Nicolai Dimo (in center) in his laboratory-