#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour

Exhibitions

„Soviet Moldova: Between Myths and the Gulag”

Exhibition of the Museum of the Victims of Deportations and Political Repressions

This is the first exhibition of the Museum of the Victims of Deportations and Political Repressions, which is a branch of the National Museum of History of Moldova. The exhibition presents phenomenon of totalitarianism in the general historical context of the Soviet era. By using specific museum means authors of the exhibition have tried to present to the public two components of Soviet society: the illusory world of the adherents of the "Soviet Dream", who naively believed in the ideals of freedom and justice, the "bright future" depicted by Soviet propaganda, and the world of those who had to know the hell of communist camps and prisons.

The exhibition brings together about 700 museum pieces: photographs, documents, letters from Siberia, posters of those years, personal belongings of former deportees and political prisoners, lists of confiscated property, memoirs of witnesses and survivors of the Soviet Gulag. There are exhibited for the first time some materials and documents from former KGB archives referring to the persons subjected to repressions for their political and religious beliefs.

According to incomplete data, from 1920 to 1951 in MASSR and MSSR 31,677 people were convicted for "political crimes", of whom more than five thousand were sentenced to death. Other three thousand people have died in prison.

About 60,000 people were deported during the three deportations nationwide: June 1941, July 1949, and 1 April 1951.

Objects presented in the museum exhibition "Soviet Moldova: Between Myths and the Gulag" tell us about the tragedy of these people with incredible destinies.

It is not an ordinary exhibition, but a small memorial of pain and humiliation of the victims of the Great Terror, an exhibition that reminds contemporaries about totalitarian communist past, the past that we should know, which must remain in history and never repeat.

Exhibition „Soviet Moldova: Between Myths and the Gulag”

#Exhibit of the Month

Fabergé Ladle

„Soviet Moldova: Between Myths and the Gulag”

Exhibition of the Museum of the Victims of Deportations and Political Repressions

#Exhibit of the Month