#Exhibit of the Month

The artifact is a battle axe made from magmatic rock (diabase) of gray-brown color. It was accidentally discovered in 1966 within the territory of Aluniș village, Rîșcani district. Based on its morphological characteristics, the artifact can be attributed to the Catacomb culture (29th-22nd centuries BCE).

The axe features a massive, elongated naviform body with slightly pronounced shoulders, a short and narrow edge that is flat and circular in cross-section. The blade is slightly curved. The hole was drilled in the maximum width of the object. It is circular in shape with a diameter of 2.2 cm. The surface of the artifact is meticulously polished, worked with great care, and shows no signs of damage or chipping.

Dimensions: Length: 20.0 cm; Maximum width: 8.4 cm; Edge diameter: 5.0 cm; Blade width: 7.0 cm; Weight: 2.3 kg.

Stone battle axes are characteristic of the Catacomb culture communities and are most often found as grave goods, deposited in tombs. Their presence in funerary complexes suggests a multifaceted functionality: weapons, social symbols, and ritual objects. Initially used as weapons, the axes became social symbols for their owners, later acquiring votive significance when deposited in tombs to serve the deceased in the afterlife.

The social symbolic function of stone battle axes is indicated by the high-quality rocks used for their manufacture and the exceptionally meticulous craftsmanship. The large dimensions of the axe from Aluniș support this hypothesis and distinguish it from other examples.

The discovery of stone battle axes outside a funerary complex may indicate their votive deposition. It is difficult to imagine that these exceptionally well-crafted pieces, made from high-quality rocks transported over great distances, could have been abandoned or lost accidentally. It is far more likely that they were deposited for magical-religious purposes, a possibility that may also apply to the stone axe discovered at Aluniș.

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Exhibitions

„Václav Havel’s portrait”

March 2nd - April 10th, 2016

The exhibition was organised by the Czech Centre in Bucharest (curator: František Zachoval) in partnership with the National Museum of History of Moldova and the Czech Embassy in Moldova.

The exhibition is a tribute to the 80 years anniversary of the birth of Václav Havel, whom he has never lived. Václav Havel is a writer, philosopher, Czech dissident and politician. He was one of the first spokesmen of Charter 77, leading personality of the political changes in November 1989, the last president of Czechoslovakia and the first president of the Czech Republic. Literary genius, irreproachable moral qualities and political victories made him one of the most respected personalities of the late twentieth century.

The exhibition reflects the personality of Václav Havel in Czech artists' vision. Undoubtedly, Havel played one of the most important roles in the revolutionary months of 1989, when he brilliantly formulated the fundamental purpose of transformation period that was to follow, such as rebuilding of a pluralist political system or reconstruction of market economy. Therefore, the exhibition is the very paradigm of Havel's concept of the world, being one of the most important promoters of pluralism of opinions. The same pluralism was set behind the project exhibition, showing the personality of Václav Havel in artworks made between 1990 and 2015 by known Czech artists, such as: Milan Knížák, Jiří Kovanda, Jiří David, Kurt Gebauer, Milan Mikuláštík, Adam Kovalčík, Bořek Šípek, Martin Zet and artistic group Guma Guar.

The artworks displayed in the exhibition are: „Česká krajina" (Czech landscape - 1990) by Milan Knížák; „Skryté podoby" (Hidden portraits - Václav Havel, 1991-1995), artwork part of a large international project by Jiří David; „Havla zřejmě čeká těžší práce doma" (Obviously, Havel awaits a harder job at home - 1998) by Jiří Kovanda; commemorative medal „Macroscopium rationem popularem tuens stand" (2014) by Bořek Šípek; installation „Srdce" (Heart - 1997-2007) by Kurt Gebauer; billboard „Podpis krvavého humanisty" (Signature of bloody humanist) by Guma Guar; „Power Play" (1998) by Milan Mikuláštík; „Portrait of Václav Havel" (2013) by Adam Kovalčík; „Easy Marchers" (video, 26 min., 39 sec.) by Martin Zet. The works capture the personality of Václav Havel through eyes of criticism and admiration of contemporary Czech visual artists.

The event was supported by Staropramen. Media partners: Kiss FM.