#Exhibit of the Month

The Gospel is a fundamental liturgical book of the Orthodox Church that brings together the four apostolic testimonies about the Son of God - Matthew, Mark, Luke, and John - "inspired by the same Holy Spirit, the one true and sole author of the Gospel." The Gospel, or the Good News, testifying to the Glory of Christ, refers to the full teaching and deeds of the Savior; the four Gospels are regarded as the four sustaining pillars of the Church.
St. Jerome (c. 340-420), author of the first complete Latin translation of the Holy Scriptures, assigned to the four evangelists the living creatures that appear in the vision of the prophet Ezekiel (1:5). Thus, the Evangelist Matthew, the first to relate the Nativity of the Lord, is accompanied in imagery by the angel who announced the miracle; the Evangelist Mark, likened to St. John the Baptist - "the voice of one crying in the wilderness" - is associated with the lion. The Evangelist Luke, who opens his Gospel with the priest Zechariah, is personified by the winged ox, recalling the ox's sacrificial role; and the Evangelist John, for his elevated theological vision, is associated with the eagle.
This altar Gospel, printed in 1890 at the Lavra Pecerska printing house in Kyiv, contains - in addition to the four canonical Gospels - other liturgical texts: readings for Vespers, the Divine Liturgy, prayers, and services.
It is a large-format Gospel measuring 37 × 48 cm, bound in cardboard and leather. The gilded metal cover is fitted with two metal clasps and gilt edges. Five vertical-oval icon plaques in polychrome enamel are applied to the cover, which is engraved with vegetal and geometric ornamentation. The central plaque depicts the "Resurrection of the Lord"; in the corners of the upper register appear the faces of the Evangelists Matthew and John, and in the lower register those of Luke and Mark. Printed in red and black, the volume comprises 428 leaves; the text is enriched with various typographic ornaments - vignettes, initials, engravings, frontispieces, etc. Pagination is indicated on the leaves, the folio number appearing in the upper right.
The Gospel of Matthew is printed on pages 1-105, the opening page accompanied by the scene of the Nativity of the Lord. The Gospel of Mark continues on pages 104-168, its representative scene being the Baptism of the Lord. The Gospel according to Luke occupies pages 172-273, its opening page bearing the scene of the Annunciation. The Gospel according to John is included between pages 280-358, the evocative scene being the Crucifixion of the Lord.

The Lavra Pecerska printing house, cited in the colophon, has long roots - traditionally founded by Archimandrite Elisei Pletenetsky (1595-1624) in 1615 - although the precise dates of its earliest publications remain a matter of debate. This copy entered the collections of the National Museum of History of Moldova under inventory number FB-23062-35; acquired in 1982, it was transferred to the MNIM collections in 1996 from the holdings of the Museum of the History of Religion.

Virtual Tour

Exhibitions

“War on the Dniester”

March 2 - 21, 2021

March 2, 2021 marks the 29th anniversary of the outbreak of armed conflict in the eastern districts of the Republic of Moldova, a conflict provoked by political adventurers and pro-imperialist revenge forces of the former Soviet empire.

Under the invented pretext of "defending Russia's southern borders", they encouraged Transnistrian separatism, armed paramilitary guards, and sent thousands of mercenary Cossacks, criminals released from prisons, tanks, and Alazan missiles, hoping that with their help they will be able to revive the lost empire.

On March 2, 1992, when the President of the Republic of Moldova Mircea Snegur delivered, in the plenary session of the UN General Assembly, the speech of thanks on the occasion of the reception of the Republic of Moldova in the United Nations, groups of guards and Cossacks armed with submachine guns and armored vehicles stormed the headquarters of the Dubăsari district police station. There were the first fallen. To the south, in Vulcăneşti, another armed group attacks the district police headquarters. The same happens, simultaneously, in Tighina, Grigoriopol and Cocieri... Among the first to fall on duty then are: lieutenant-colonel Mihai Moraru, commissioner of the Hânceşti district police station; Iurie Bodiu, Valentin Slobozenco, Tudor Buga, Sergiu Ostaf, Vitalie Păvăluc, Victor Lavrentsov, Russian of nationality, a native of Tighina; Boris Dovgani from Pârâta, Serghei Culaţchi, the son-in-law of the brave fighter General Anton Gămurari... The lifeless bodies of Sergeant V. Purice and driver N. Galben from Tighina were taken from the waters of the Dniester.

Thus, the political conflict in the Dniester area degenerated into a real fratricidal war. Peaceful people were being attacked, entire villages were being held under Cossack fire, and more than 50,000 peaceful inhabitants of the Dniester area were forced to leave their homes, saving themselves from the scourge of war.

The ordeal begun in Dubăsari left behind hundreds of dead and crippled, orphans, widows, mothers with souls hardened by grief; it caused immeasurable material damage and loss on both banks of the Dniester.

More detailed sketches and chronicles of those dramatic events can be found in various sources: albums, monographs, collections of documents, memoirs, newspaper reports.

The commemorative exhibition "War on the Dniester" is also an attempt to reconstruct the reality of the Dniester tragedy.

It was conceived as a tribute to all participants in the struggles for the defense of the integrity and independence of the Republic of Moldova and, first of all, to those who sacrificed their lives on the altar of freedom of the Fatherland.

The exhibition brings together shocking images made in the conflict area by photojournalists T. Iovu, N. Pojoga, M. Vengher, A. Mardare, S. Voronin, T. Anghel, and others. The images reconstruct the ordeal that Moldavian defenders went through in the battles of Dubăsari and Tighina, on the plateaus of Cocieri and Coşniţa, immortalized the heroism and manhood of Moldavian police and volunteers, the hardships and humiliations of war, destroyed families, houses and villages, faces of women and children contorted by the pain of losing loved ones.

A special section of the exhibition is dedicated to the fallen fighters in defense of the independence and integrity of the Republic of Moldova.

The exhibition "War on the Dniester" was organized on the occasion of the 29th anniversary of the outbreak of the armed conflict on the Dniester and is dedicated to all defenders of the integrity and independence of the Republic of Moldova.

#Exhibit of the Month

Altar Gospel (1890)

“War on the Dniester”

March 2 - 21, 2021

#Exhibit of the Month