#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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“Echoes of War” exhibition Opens in Moldova

4 October, 2023

"Echoes of War" by a Syrian photojournalist, Omar Sanadiki opened on 4 October in the National Museum of History of Moldova. The exhibition depicts two distant, yet intertwined wars in Syria and in Ukraine. The photos in Ukraine were shot in June this year, and were brought to Chişinău by the European External Action Service (EEAS) as a collaborative project with the photographer. "Echoes of War" will stay on show until 31 October at the Museum.

In his captivating photos, Sanadiki provides a reflective visual journey contrasting the turbulent atmospheres from the war that broke out in 2011 in Syria with those captured in 2023 in Ukraine. Sanadiki documents the war in Syria since its first day, photographing the destruction and the lives of the inhabitants of Homes, Aleppo and Damascus. The idea of the exhibition was born in Ukraine, during a media training organized by the EEAS which Sanadiki participated in.

During the opening of the exhibition on 4 October, the photographer said: "While visiting Ukraine and talking to the Ukrainian journalists, I felt inspired by seeing how the Ukrainian people cope with the war". "It reminded me of my people, of Syrians. Of our suffering and pain".

Sanadiki paired the photos he took in Syria with the frames from Ukraine in ten powerful stories, from personal reaction to destruction, portraying the inside of bombed houses, hands going through the rubble in the search of faded memories and pieces of past lives. He also depicts how life continues in both nations, with everyday tales of families, friends and passers-by who continue to live in Syria and Ukraine.

"These photos represent two distant, yet intertwined experiences of war, suffering and resilience" - said Aude Maio-Coliche, Director of Strategic Communication and Foresight at the European External Action Service at the opening. "They transcend geographical and cultural or linguistic boundaries".

Ambassador Jānis Mažeiks, the Head of EU Delegation to the Republic of Moldova said "It is very important that there are artists who document this evil, but also document the humanity, the way life goes on, how children are being born and raised, even against the background of shelled buildings".

"For me" - added the Ambassador - "it is also a reminder of being on the right side of the history. I think we can collectively take pride in the fact that the European Union and the Republic of Moldova both on the occasions of Syria and of the war in Ukraine - Russia's unprovoked aggression against Ukraine - have been on the right side of the history, not only in words, but also in deeds".

"Echoes of War" is an example of the efforts of the European Union to continue the conversation about the true cost of war. It also serves as a reminder that even in the darkest of times, the human spirit remains unbroken, ever-resilient, ever-hopeful.

The exhibition is a result of the training for journalists that took place in Poland and Ukraine for journalists coming from the outside of the European Union organized by the EEAS this summer. On Thursday and Friday the media professionals are visiting Chişinău to join training organized by the EEAS for media representatives from the Western Balkans, Middle East, Africa, South America and Asia to discuss the challenges of disinformation and information manipulation faced by the media today.

The exhibition will stay on display at the National Museum of History of Moldova until 31 October.