EN RO















#Exhibit of the Month

>>>

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

Virtual Tour


#Exhibit of the Month

February 2023

Radio receivers: Telefunken and Philips

Radio represents one of the outstanding technological achievements of human thought, which led to the emergence and development of the most powerful and popular means of mass communication. From its beginnings, radio broadcasting had immediate effects on the social, economic, military, but also on the cultural level.

Radio is the work of time, to which many scientists have contributed. Among the most important names we mention: the Scottish physicist James Clerk Maxwell, who predicted, in 1860, the existence of radio waves; the German physicist Heinrich Rudolph Hertz, who demonstrated that rapid variations in electric current could be projected into space as radio waves; the American inventor of Croatian origin Nicola Tesla, who, in 1891, built the theoretical model of the device that produced electromagnetic cycles.

Those who are primarily credited with this discovery - the Italian inventor Guglielmo Marconi and the Russian physicist Alexander Popov - did nothing more than synthesize or weave together floating ideas, so no one has intellectual authorship, which does not exclude their rights conferred by patents and glory.

For more than 120 years, radio has been telling stories, saving lives, delivering news, educating generations, providing a means of recreation, shaping a society's experience of diversity. As a sign of appreciation for this powerful vector of information and culture, UNESCO instituted, in 2012, a special holiday, World Radio Day, which is celebrated worldwide on February 13.

The advent of sound broadcasting propelled the development of radio technology. Gradually, starting in 1920, the need for collective auditions determined the manufacture of the first loudspeakers based on the principle of electromagnetic induction, which had a diaphragm or a diffuser cone. Moved by a metal paddle, they actuated a large mass of air, thus producing loud sounds. Overcoming the evolutionary framework, with all the inherent difficulties, the radio was continuously perfected, with predilection after the invention of radio lamps and transistors, arriving at the construction of increasingly complex devices.

The National Museum of History of Moldova conserves and uses about 120 radio receivers with historical, technical and memorial value, manufactured between 1934 and the beginning of the 21st century in various countries. The radio sets in the museum heritage are of interest for the history of science and technology, some of them standing out as reference pieces for the evolution of means of communication.

From the point of view of the principle of operation, the radios owned by the museum are direct-amplified, reactive and superheterodyne. From a categorical point of view, the museum's radio technical fund is made up of: 36 radio equipment, 17 radio receivers with electronic tubes and 68 transistorized radio receivers. This month, as part of the "Exhibit of the Month" series, we bring to the public's attention two stationary radio receivers with electronic tubes, Telefunken and Philips, of great historical and technical value, they laid the foundations for the constitution of the museum's collection of radio devices.

Telefunken radio receiver, model Koncert Trial, was manufactured at the Radiotechna enterprise in Prague-Prelouc, Czechoslovakia, between 1934 and 1935. It is a superheterodyne device, in a Bakelite case. Technical characteristics: 4 electronic tubes - REN904, REN904, RENS1374S and RGN564; the wave ranges - UL (long waves), UM (medium waves) and US (short waves); dimensions - 290x355x175 mm; power supply - 110/240 V; speaker - permanently dynamic.

Philips radio receiver, model 36U, was manufactured in 1943 at the Philips workshop in Hungary (which operated from 1931 to 1949). It is a superheterodyne device, in a bakelite case. Technical characteristics: 4 electronic tubes - UCH21, UCH21, UBL21 and UY21; wave ranges: UL (long waves) and US (short waves); dimensions: 250x170x130 mm; power supply: 110/150/220 V, weight: 2.5 kg; speaker - permanently dynamic.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

Come to Museum! Discover the History!
  
Visit museum
Visit museum
Summer schedule: daily
10am – 6pm.

Winter schedule: daily
10am – 5pm.
Closed on Mondays.
Entrance fees:  adults - 50 MDL, Pensioners, students - 20 lei, pupils - 10 MDL. Free access: enlisted men (...)

WiFi Free Wi-Fi Zone in the museum: In the courtyard of the National History Museum of Moldova there is Wi-Fi Internet access for visitors.


#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....

Read More >>

































The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC