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#Exhibit of the Month

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In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour


#Exhibit of the Month

February 2024

The ”trinocle” vessel from Florești

The exhibit represents a unique trinocle type vessel. It is dated to the Eneolithic period, the 5th-4th millennia BC, being related to the Cucuteni-Tripolia civilization (Cucuteni A-B - Tripoli B stage).

The artefact was discovered in 1986 in the settlement of Florești V, 2.5 km west of the town of Florești, currently the estate of the village of Mărculești, on the slope of a promontory, on the surface of which the traces of about 40 prehistoric dwellings were observed.

The original fragments discovered allowed a faithful restoration of the archaeological piece, offering us, in this context, an exceptional heritage object.

The piece conventionally called "vessel" represents a device in the form of a trinocle consisting of three monocles - ceramic tubes joined at the ends by means of bridges. The monocles have cylindrical bodies hollow inside, being oval in the middle, with the lip and base flared in the shape of funnels, the edges at the extremities being flat.

The red-brick colored vessel is modeled from a fine paste of clay, burned oxidizingly and decorated with painted ornament, for which natural dyes of black-cherry shade were used. Monocles identical in shape and size are painted in the same decorative manner. On the outside, both the upper and lower funnels, along with the middle of the piece and the decks, a decoration with geometric motifs is painted. The stylized ornament on the vessel is unfolded in two and three vertical levels and divided into four registers. The most important ornamented area on the trinocle is the space between the funnels in the middle area. The decoration is composed of a group of eight horizontal lines executed on the middle of the monocles and three groups of 3-4 lines arranged vertically between registers separated by relatively thick parallel bands. On the outside, the funnels are ornamented with circles inside of which are intersected by a group of three lines and a large painted dot, and around them are several foliate representations. A few spiral lines are also observed between other thick bands arranged in triangles with a concave side. Inside the funnels, the surface is rudimentarily smoothed, forming several uneven grooves, which represent the pressed traces of the tool with which the interior was shaped, and upon closer analysis, the existence of traces of the potter's fingers can also be admitted. The decor presents images of mythological creatures and symbols of religious ideas and beliefs of the prehistoric Cucutenian communities, from which the functionality of these pieces, which could be used in magical-ritual practices, is assumed.

The dimensions of the vessel are as follows: height - 228 mm; the diameters of the extremities vary from 135 to 142 mm; maximum diameter on the line of two binoculars / bowl width - 285-291 mm.

The trident vessel from Florești belongs to the classic period of the Cucuteni culture, when the so-called "binocular" vessels were very widely known. Viewed in this context, the trinocle from Florești presents itself as a unique piece not only in the Pruto-Nistrian space, but also in the entire area of spread of the Cucuteni-Tripolye civilization, from the Carpathians to the Dnieper.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC