#Exhibit of the Month

Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition.
In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai.

The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).

Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.

He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies.
Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage.
Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration.
Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.

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Research Academic Reports

From the Museum's 2019 Agenda (Science Component)

In 2019 the museum’s researchers will continue to work on individual research topics within the institutional project The role of museum heritage in the development of contemporary society.

According to Order no.1857 of 17.12.2018 of the Ministry of Education, Culture and Research of the Republic of Moldova, the project The role of museum heritage in the development of contemporary society was extended for the year 2019 (funding for 2019 has been approved)

In 2019, the museum's researchers will continue to research and systematize heritage museum collections: the collection of documents and photographs, post-war poster collection, postcard collection, archaeological collections (Paleolithic - Early Middle Ages), numismatics collections, biographical collections of some outstanding personalities (the Bessarabian nobility) and their presentation to the scientific community and the public at different scientific events and temporary exhibitions.

The researchers will participate with papers, reports and theses at symposiums, conferences, seminars organized in the republic and abroad. Three scientific events are scheduled:

Heraldic Symposium, 13^th edition;

Annual scientific conference of the museum History. Archaeology. Museology, 29^th edition;

International Symposium of Numismatics, 19^th edition, October 2019

Two issues of the museum’s journal Tyragetia will be structured and edited: no.1 Archaeology. Ancient History; no.2 History. Museology, 2018. The following monographs will be published:

E. Sava, I. Manzura, S. Agulnikov, Tumuli din stepa Bugeacului Cercetări arheologice în anii 1984-1987. (Barrows from the steppe of Bugeac. Archaeological research in 1984-1987)

S. Ţerna, M. Vasilache-Curoşu, Figurine antropomorfe din etapa Cucuteni A din interfluviul pruto-nistrean (în baza colecţiilor Muzeului Naţional de Istorie a Moldovei). (Anthropomorphic figurines from the Cucuteni A stage in the interfluves of Prut and Nistru (based on collections of the National Museum of History of Moldova).

All scientific and cultural events will have additional promotional materials.

The results of the research will be valorized through museum exhibitions, primarily by organization of temporary exhibitions devoted to important events in the history of the republic, and by creation of new exhibitions of museum collections. Researchers will develop the scientific concept and thematic structure for the following temporary exhibitions:

ArheOS. Când antropologii şi arheologii fac oasele să vorbească. (ArheOS. When anthropologists and archaeologists make bones talk)

Afişul muzical în colecţia Muzeului Naţional de Istorie a Moldovei. (Musical poster in the collection of the National Museum of History of Moldova)

Situl arheologic Costeşti. 65 de ani de cercetări arheologice. (The archaeological site of Costeşti. 65 years of archaeological research)

Figuri antropomorfe cucuteniene. (Cucuteni antropomorthic figures)

Interesting pieces, materials and documents will be collected and purchased for the purpose of developing the museum heritage and organization of future exhibitions. The process of digitalization of museum heritage will continue. Files of analytical inventory will be drawn up for each cultural asset from the museum collections and for all the pieces that will enter the museum heritage through filed research, acquisitions and donations. The classification of mobile cultural pieces will continue.

For all major events organized by museum researchers will be issued press releases to be distributed to various channels of information.

The information about scientific events and exhibitions organized by the museum will be promoted in the printed media, on Radio and on TV.

Museum researchers will constantly update the museum's website with written information for both the general public and interested specialists.