#Exhibit of the Month

The artifact is a battle axe made from magmatic rock (diabase) of gray-brown color. It was accidentally discovered in 1966 within the territory of Aluniș village, Rîșcani district. Based on its morphological characteristics, the artifact can be attributed to the Catacomb culture (29th-22nd centuries BCE).

The axe features a massive, elongated naviform body with slightly pronounced shoulders, a short and narrow edge that is flat and circular in cross-section. The blade is slightly curved. The hole was drilled in the maximum width of the object. It is circular in shape with a diameter of 2.2 cm. The surface of the artifact is meticulously polished, worked with great care, and shows no signs of damage or chipping.

Dimensions: Length: 20.0 cm; Maximum width: 8.4 cm; Edge diameter: 5.0 cm; Blade width: 7.0 cm; Weight: 2.3 kg.

Stone battle axes are characteristic of the Catacomb culture communities and are most often found as grave goods, deposited in tombs. Their presence in funerary complexes suggests a multifaceted functionality: weapons, social symbols, and ritual objects. Initially used as weapons, the axes became social symbols for their owners, later acquiring votive significance when deposited in tombs to serve the deceased in the afterlife.

The social symbolic function of stone battle axes is indicated by the high-quality rocks used for their manufacture and the exceptionally meticulous craftsmanship. The large dimensions of the axe from Aluniș support this hypothesis and distinguish it from other examples.

The discovery of stone battle axes outside a funerary complex may indicate their votive deposition. It is difficult to imagine that these exceptionally well-crafted pieces, made from high-quality rocks transported over great distances, could have been abandoned or lost accidentally. It is far more likely that they were deposited for magical-religious purposes, a possibility that may also apply to the stone axe discovered at Aluniș.

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Interactive visit for children with hearing disabilities

September 25, 2019

Each year, the museum dedicates the last week of September to supporting the social inclusion of young people with hearing disabilities. On September 25, 30 children from the Professional School no. 11 for children with hearing disabilities, from Chișinău, spent together unforgettable moments at the museum.

Even if deafness is a disability that is not visible, young people who have such deficiencies are exposed daily to the risk of not being accepted by society. Most of them had attended special institutions, starting with kindergarten, where they were assisted by professionals of the gestural language. In order to be able to work, most of these persons would need the support of an interpreter of mimicry and gestures. In the Republic of Moldova, only nine specialists in mimicry are authorized for about 5000 people with hearing problems. One of them was invited at the activity organized by the museum to facilitate the children's access to the information displayed in the museum.

There is no way of telling exactly what they liked the most, however the children showed great interest during all three hours spent in the museum. First, they were challenged to mold a prehistoric handmade clay vessel, to spark between two stones and to weave using a weaving installation. Being students at a vocational school, they showed great skill in everything, proving that the deed is worth much more than the word. After that, the children gathered together the pieces from a big puzzle, and the big surprise made by the museum was visit of the volunteers of the Color Party, who taught the children to model puppies and flowers from balloons, and painted the visitors on face and hands in their favorite colors.

This day brought sunshine to the museum. The happiness of the children is encouraging and motivating us to organize such interactive visits more often, because History makes no difference between its descendants. We hope that such activities will raise public awareness, and spread inclusive practices in other public institutions.

The museum always has wide open doors for everyone.