#Exhibit of the Month

Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition.
In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai.

The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).

Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.

He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies.
Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage.
Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration.
Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.

Virtual Tour

#Exhibit of the Month

July 2023

An accessory “with a human destiny”

In the context of July 6 - the Day of Commemoration of the Victims of Stalinism in the Republic of Moldova, we bring to the visitor's attention an exhibit that evokes the dramatic fate of one of the thousands of victims of the Stalinist deportations from the Moldavian SSR. The July exhibit is represented by the travel bag that the scientist Alexei Bârladeanu took with him on the night of July 6, 1949, when he was forcibly taken from Chisinau and, together with his wife and son Iulius, were sent to Siberia. The reason for their deportation, incriminated by the repression bodies, would have been "collaboration with the fascists". The travel bag, together with other objects used by the scientist during his deportation (pot, plate, spoon and knife), became part of the museum's heritage in 1994, having been donated by his daughter, Vera Bârlădeanu.

The travel bag - translated from French, "travel bag" - has its origins in America. In the middle of the 19th century, the construction of railways took off here. The availability of tickets caused great interest in travel. Consequently, there is an increased demand for practical, inexpensive means of transporting luggage. The first travel bags were made from pieces of old carpets, so called - carpet bags. They weren't very durable, but they were comfortable, the empty bag rolled easily and didn't take up much space. Such accessories were closed with a single lock. Later, bags began to be made of leather, with leather and metal handles, with reliable fasteners - which increased their durability and practicality, but at the same time the cost. From among simple items, travel bags have moved into the category of expensive, luxury items. It was in this role that the bag gradually took its place in the fashion world as an indispensable accessory for lawyers, doctors, businessmen, becoming in a way the "face" of a respectable person. Previously, these were travel bags that only men used.

The piece displayed in this showcase is made of black faux leather, lined inside with black satin. It has a rectangular shape, rounded edges, a metal plate and a short leather handle. It closes with three metal padlocks, the middle one can be locked with a key. It was manufactured in the Soviet Union, in the 40s of the 20th century. The mediocre state of preservation is evidence of its use in adverse circumstances.

The travel bag has a great memorial value. This accessory "with a human destiny" is a testimony of the iniquities that the scientist Alexei Bârlădeanu - pioneer of genetics and selection in Bessarabia - went through.

Alexei Bârladeanu was born in Comrat, Tighina county, on March 6, 1883, in the family of Gheorghe Bârladeanu and Elena Iordan. After graduating from the Royal High School in Comrat, in 1899, he became seriously ill with lungs and went to be treated in a sanatorium in Switzerland. In 1912, he graduated from the Faculty of Agronomy and Biology in Leipzig. He knew Romanian, French, German, Russian and Turkish perfectly. In 1920, he married Hilda, then a student at the School of Fine Arts in Zurich. In 1925, at her insistence to meet his parents, they come to Bessarabia, where he is actively involved among Bessarabian intellectuals. In 1932, he moved to Chisinau, continuing his research, working as an agronomist and breeder in the plant breeding laboratory of the Faculty of Agronomy in Chisinau.

The ordeal of the Bârlădeanu family begins as soon as Bessarabia is occupied. Hilda, his wife, was the first to fall prey to the Red Terror. She is arrested and escorted to the Kotlas and Verhneaia Tavda camps in the Urals. She was released later, and then in 1949, together with her husband and son, they were picked up and deported to the town of Barit, Gurievsk district, Kemerovo region. Alexei Bârlădeanu continued his research even in the unfavorable conditions of Siberia, but his work was not appreciated. Nor were the multiple requests to be rehabilitated. Returned to Chisinau in 1957, he lives in total poverty. Morally destroyed, old and sick, Alexei Bârlădeanu died on May 11, 1960, without knowing the joy of rehabilitation. It was not until July 17, 1991 that the Prosecutor's Office of the Republic of Moldova issued the rehabilitation document to his descendants.

In the picture: Alexei Bârlădeanu, with his wife and son Iulius, together with his daughter Vera (standing) arriving to visit Siberia, 1953.