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#Exhibit of the Month

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Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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#Exhibit of the Month

May 2023

The rocking bowl from Grigoreuca

It is fascinating how over thousands of years, clay objects have not lost their charm and have adapted to each era, evolving with society. Such a modest material as clay, could be used in a variety of ways, among which the most ancient - the modeling of vessels. The multitude of shapes and decoration of ceramic vessels fascinates and represents a true art adjusted to the way of life and the spiritual level of communities from different historical periods. A separate category is represented by miniature vessels. They can represent from miniatures of kitchen utensils (pots, cups, glasses) to zoomorphic, anthropomorphic representations, models of chariots.

Such a vessel was discovered in 1989, during the research of a burial mound located on the territory of Grigoreuca village, Sîngerei district (excavation authors: E. Antipenco, V. Beilecci). It was deposited as a funerary inventory in a tomb attributed to the Jamnaja culture (early Bronze Age period, XXIII-XVIII centuries BC). The vessel is hand-shaped from clay paste mixed with crushed ceramic. It is rectangular in shape with rounded corners and trapezoidal in section, straight base and slightly raised walls. The mouth of the vessel is wide, with a straight lip, weakly highlighted. Below the lip is provided with 12 conical protuberances located three on each of the sides. Those on the long sides are provided with a longitudinal circular hole. The outer surface of the bowl, including its base, is decorated with string printing. The decoration is made in the form of radiating lines and overlapping triangles. It is yellowish-grey in color with brown spots on the outside and gray-brown on the inside.

Although it was discovered in a tomb attributed to the Jamnaja culture, at the moment, no other objects of this kind are known in the environment of this culture. The closest analogues are known in the dwellings and funerary complexes of the Catacombs culture that existed in the middle period of the Bronze Age, the XIX-XVIII centuries BC, in the North-Pontic steppes. Such pieces are also known in the environment of the North Caucasian culture (XX-XXIII centuries BC). Most likely, the vessel discovered at Grigoreuca represents an import object from the Catacomb culture environment.

Both the shape of the vessel and the side holes, which assume its suspension, allowed its interpretation to be the model of a swing, hence the name swing vessel. But according to other opinions such objects are chariot models. The presence of visible traces of burning (soot) inside some of them, does not exclude their use as an opiate or smoker.

Dimensions: H - 4.9 cm; L - 13.6 cm; W - 8.3 cm.




 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2026 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC