#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour

Branch Museums

Museum of Victims of Political Repressions and Deportations

Museum of the Victims of Deportations and Political Repressions was created by Government Decision no. 605 of July 2, 2010 as branch of the National Museum of History of Moldova.

On June 13, 2012, in an exhibition space in the basement of the National Museum of History of Moldova, was opened the first exhibition of the Museum of the Victims of Deportations and Political Repressions entitled "Soviet Moldova: between myths and gulag".

Exhibition "Soviet Moldova: between myths and gulag" presents the totalitarian phenomenon in the overall history of the Soviet era. By using specific museological techniques, the authors of the exhibition have tried to present to the public the two components of Soviet society: the illusory world of those who embraced the "Soviet dream", believing naively in the ideals of freedom and justice, the "bright future" shaped by Soviet propaganda and the world of people who lived through the hell of communist camps and prisons. The exhibition brings together about 700 museum pieces: photographs, documents, letters from Siberia, vintage posters, personal belongings of former deportees and political prisoners, lists of confiscated property, memoirs written by witnesses and survivors of the Soviet gulag. For the first time are exhibited materials and documents from the archives of the former KGB with reference to the repressed people for their political and religious beliefs.

According to some incomplete data, 31 677 persons were sentenced for "political crimes" between 1920-1951 in MASSR and MSSR, of which over 5000 were sentenced to death. Other 3000 died in prisons and isolators. About 60 thousand people were deported during nationwide deportations: in June 1941, July 1949 and 1 April 1951. Museum materials presented in the exhibition "Soviet Moldova: between myths and gulag" speak about the drama of these persons with incredible destinies.

This is not a usual exhibition, it is a small memorial of sorrows and humiliations of the victims of the red terror, an exhibition that recalls contemporaries of communist totalitarian past that needs to be known, but must remain in history and never repeat again.