#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

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Events Archive

Opening of the Exhibition "And They Saw the Voices..."

October 10, 2024

On October 10, the opening of the exhibition "And They Saw the Voices..." took place in the lobby of the National Museum of History of Moldova, bringing together representatives of the accredited diplomatic corps in Moldova, Jewish organizations, and representatives from other museums and institutions in the country. This event was dedicated to discussions about the tragedies of October 7, 2023, and the vital role of art in the emotional healing process.

The exhibition featured 30 drawings created by children evacuated from Ashkelon, who found solace in art therapy after the bombings on October 7, 2023. These works reflected not only the trauma experienced but also the power of regeneration and the hope found in the creative process.

The ceremony was opened by Irina Șihova, the director of the Jewish History Museum, who emphasized: "This is not a political statement, but a story about trauma, art, and healing."

Additionally, Chief Rabbi Pinchas Zalțman paid tribute to the exhibition, highlighting its importance in promoting community cohesion through art. He noted that in times of hardship and suffering, art becomes a common language that can transcend cultural and religious barriers, bringing people together to share experiences and emotions.

Vladimir Boroda, director of the MAALOT Association, stated: "This exhibition demonstrates how art can unite different perspectives, transforming suffering into beauty."

Throughout the event, the art teacher discussed the importance of art in the healing process, presenting the exhibited works and sharing the stories behind them. Among these were the drawing "Boom" by 10-year-old Aviv Shilo, which conveys a powerful message of hope, and the piece "Dance of Death" by student Filip Beleavschi, exploring themes of death and loss. Another notable work, "The Sounds of Sirens and Rockets," addressed the traumatic effects of conflicts, prompting viewers to reflect on the impact of these experiences.

Each drawing offered a window into the emotional world of these young artists, highlighting the significance of art as a form of expression and healing.

This exhibition became a space for meeting and dialogue, where compassion and empathy were essential, providing a unique opportunity to explore how art can unite communities and support the emotional healing process.

The exhibition is open until October 20, 2024, inviting the public to explore and reflect on the messages conveyed through art.