#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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Events Archive

Opening of the Exhibition "And They Saw the Voices..."

October 10, 2024

On October 10, the opening of the exhibition "And They Saw the Voices..." took place in the lobby of the National Museum of History of Moldova, bringing together representatives of the accredited diplomatic corps in Moldova, Jewish organizations, and representatives from other museums and institutions in the country. This event was dedicated to discussions about the tragedies of October 7, 2023, and the vital role of art in the emotional healing process.

The exhibition featured 30 drawings created by children evacuated from Ashkelon, who found solace in art therapy after the bombings on October 7, 2023. These works reflected not only the trauma experienced but also the power of regeneration and the hope found in the creative process.

The ceremony was opened by Irina Șihova, the director of the Jewish History Museum, who emphasized: "This is not a political statement, but a story about trauma, art, and healing."

Additionally, Chief Rabbi Pinchas Zalțman paid tribute to the exhibition, highlighting its importance in promoting community cohesion through art. He noted that in times of hardship and suffering, art becomes a common language that can transcend cultural and religious barriers, bringing people together to share experiences and emotions.

Vladimir Boroda, director of the MAALOT Association, stated: "This exhibition demonstrates how art can unite different perspectives, transforming suffering into beauty."

Throughout the event, the art teacher discussed the importance of art in the healing process, presenting the exhibited works and sharing the stories behind them. Among these were the drawing "Boom" by 10-year-old Aviv Shilo, which conveys a powerful message of hope, and the piece "Dance of Death" by student Filip Beleavschi, exploring themes of death and loss. Another notable work, "The Sounds of Sirens and Rockets," addressed the traumatic effects of conflicts, prompting viewers to reflect on the impact of these experiences.

Each drawing offered a window into the emotional world of these young artists, highlighting the significance of art as a form of expression and healing.

This exhibition became a space for meeting and dialogue, where compassion and empathy were essential, providing a unique opportunity to explore how art can unite communities and support the emotional healing process.

The exhibition is open until October 20, 2024, inviting the public to explore and reflect on the messages conveyed through art.