#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Opening of the Exhibition "Moldovan Painters of Jewish Origin"

September 9, 2024

On September 9, 2024, the National Museum of History of Moldova hosted the opening of the exhibition "Moldovan Painters of Jewish Origin," part of the European Days of Jewish Culture Festival. The event took place at the museum's headquarters, Str. 31 August 1989, No. 121A.

The exhibition, organized by the Ministry of Culture of the Republic of Moldova, the Jewish Community of Moldova, with support from the Agency for Interethnic Relations, the European Association for the Conservation and Promotion of Jewish Culture and Heritage, the Embassies of Austria and the Czech Republic, the Nativ Mission, and the Israeli Cultural Center, showcased the works of three distinguished Moldovan artists: Eduard Maidenberg, Mihail Brunea, and Iakov Tihman.

The event was inaugurated by Dr. Eugen Sava, General Director of the National Museum of History of Moldova, who highlighted the importance and significance of the exhibition within Moldova's cultural landscape. Sergiu Prodan, Minister of Culture of the Republic of Moldova, delivered a speech acknowledging the festival and exhibition's role in celebrating and preserving Jewish cultural heritage.

Alexander Bilinkis, President of the Jewish Community of Moldova, spoke about the significance of the exhibition and the contributions of the featured artists to Moldovan and Jewish cultural traditions. Additionally, Marina Anukova, Head of the Nativ Representation in Moldova and the Israeli Cultural Center, extended a greeting, emphasizing the importance of international collaboration in promoting and celebrating cultural heritage.

The exhibition featured works by Eduard Maidenberg, born February 10, 1960, known for his contributions to book graphics; Mihail Brunea, born in 1949, recognized for his unique technique combining three-dimensional elements, color, and graphics; and Iakov Tihman, born November 20, 1945, acknowledged for his long-standing dedication to painting, literature, and community leadership.
Open to the public from September 9 to September 14, 2024, the exhibition provided a unique opportunity for visitors to explore the artistic contributions of the three artists, adding depth and diversity to Moldovan and Jewish cultural heritage.

The "Moldovan Painters of Jewish Origin" exhibition can be visited from September 7 to September 14, 2024, at the National Museum of History of Moldova, Chișinău, Str. 31 August 1989, No. 121A.

#Exhibit of the Month

Buckles Decorated in the Polychrome Enamel Technique

Opening of the Exhibition "Moldovan Painters of Jewish Origin"

September 9, 2024

#Exhibit of the Month