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#Exhibit of the Month

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In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour


#Exhibit of the Month

September 2023

The cannon from Grinăuți-Moldova

Fire artillery in Romanian space is attested from the first half of the 15th century. The oldest pieces of artillery are the bronze and iron bombards discovered in the fortresses of Giurgiu, Severin, Bârlad and Orheiul Vechi.

The exposed cannon was discovered in the village of Grinăuți-Moldova, Ocnița district, it dates from the second half of the 15th century. From a typological point of view, in the central-eastern European space, the cannon from Grinăuți-Moldova is a unique piece.

It is a short-barreled mortar-type artillery piece that fits perfectly into the line of bombards in Europe used in the second half of the 15th century - the beginning of the 16th century.

The cannon was used to launch projectiles (bullets) at the enemy behind fortifications or natural obstacles. The projectiles were loaded through the mouth of the barrel. The firing angle was over 45 degrees, and the trajectory of the projectile was curved with a range of up to 300-400 m. In Europe, these cannons were called mortars, and in Romanian space they were designated by the word piua, thanks to the shape of this object.

The cannon from Grinăuți-Moldova was discovered by chance in the "Red Bank" location, located 15 km southwest of the Lipnicu plain where Lord Stefan the Great defeated the Tatars in 1470. According to a legend from the village of Grinăuți-Moldova, in the "Red Bank" location, a military confrontation between Moldovans and Tatars would have taken place prior to the battle of Lipnic.

The cannon from Grinăuți-Moldova is made of cast iron by the casting method. The barrel is provided with a single hole in the front, the opposite side being blocked by the flat bottom with flared edge. The inside of the pipe is a relatively wide channel that narrows slightly towards the bottom. Loading with powder and cannonballs was done through the mouth of the cannon. A hole is provided near the base for the wick to ignite and detonate the dust inside the cannon. The surface of the cannon is embossed. The edge of the mouth is thickened, slightly curved. Two cylindrical supports with a diameter of 3.5 cm are provided in the central part of the body of the cannon in the axis, which served as handles for the installation and handling of the cannon on a wooden frame.

The length of the cannon is 30.0 cm, the maximum diameter of the body - 17.8 cm, the outside diameter of the mouth - 19.4 cm, the diameter of the body in the middle - 13.5 cm, the outside diameter of the base - 17.0 cm, the caliber of the cannon (mouth diameter) is 12.8 cm, the length of the inner chamber of the cannon - 27.4 cm, the weight of the cannon - 18,730 kg.

The cannon from Grinăuți-Moldova entered the custody of the National Museum of History of Moldova through the care of local history teacher Vlad Lvovsky.

The conservation of the piece of cultural heritage was carried out by Valeriu Bubulici, and the reconstruction of the atmosphere by the restorer Mihail Culașco.



 

 


Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC