#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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#Exhibit of the Month

September 2023

The cannon from Grinăuți-Moldova

Fire artillery in Romanian space is attested from the first half of the 15th century. The oldest pieces of artillery are the bronze and iron bombards discovered in the fortresses of Giurgiu, Severin, Bârlad and Orheiul Vechi.

The exposed cannon was discovered in the village of Grinăuți-Moldova, Ocnița district, it dates from the second half of the 15th century. From a typological point of view, in the central-eastern European space, the cannon from Grinăuți-Moldova is a unique piece.

It is a short-barreled mortar-type artillery piece that fits perfectly into the line of bombards in Europe used in the second half of the 15th century - the beginning of the 16th century.

The cannon was used to launch projectiles (bullets) at the enemy behind fortifications or natural obstacles. The projectiles were loaded through the mouth of the barrel. The firing angle was over 45 degrees, and the trajectory of the projectile was curved with a range of up to 300-400 m. In Europe, these cannons were called mortars, and in Romanian space they were designated by the word piua, thanks to the shape of this object.

The cannon from Grinăuți-Moldova was discovered by chance in the "Red Bank" location, located 15 km southwest of the Lipnicu plain where Lord Stefan the Great defeated the Tatars in 1470. According to a legend from the village of Grinăuți-Moldova, in the "Red Bank" location, a military confrontation between Moldovans and Tatars would have taken place prior to the battle of Lipnic.

The cannon from Grinăuți-Moldova is made of cast iron by the casting method. The barrel is provided with a single hole in the front, the opposite side being blocked by the flat bottom with flared edge. The inside of the pipe is a relatively wide channel that narrows slightly towards the bottom. Loading with powder and cannonballs was done through the mouth of the cannon. A hole is provided near the base for the wick to ignite and detonate the dust inside the cannon. The surface of the cannon is embossed. The edge of the mouth is thickened, slightly curved. Two cylindrical supports with a diameter of 3.5 cm are provided in the central part of the body of the cannon in the axis, which served as handles for the installation and handling of the cannon on a wooden frame.

The length of the cannon is 30.0 cm, the maximum diameter of the body - 17.8 cm, the outside diameter of the mouth - 19.4 cm, the diameter of the body in the middle - 13.5 cm, the outside diameter of the base - 17.0 cm, the caliber of the cannon (mouth diameter) is 12.8 cm, the length of the inner chamber of the cannon - 27.4 cm, the weight of the cannon - 18,730 kg.

The cannon from Grinăuți-Moldova entered the custody of the National Museum of History of Moldova through the care of local history teacher Vlad Lvovsky.

The conservation of the piece of cultural heritage was carried out by Valeriu Bubulici, and the reconstruction of the atmosphere by the restorer Mihail Culașco.

#Exhibit of the Month

Decorative Bells

September 2023

The cannon from Grinăuți-Moldova

#Exhibit of the Month