#Exhibit of the Month

Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century.
The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques.
The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.

Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.

On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.

The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.

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Publications

Albums

Eugen Sava, Aurelia Cornețchi, Elena Postică, Elena Ploșnița

National Museum of History of Moldova 1983-2013

Series “Albums” I, Chisinau, 2013. 191 p. ISBN 978-9975-80-811-8.

Founded in 1983, the National Museum of History of Moldova has become over the years a cultural and scientific institution with recognized identity, an important segment of the national memory. Ever since its creation, the museum has permanently pleaded for protection, scientific and public use of historical-cultural heritage; it became scene of specialist scientific debate, lead and created rules in Moldovan museography, proposed and promoted law projects in this field, various legal acts, promoted continuously a cultural and scientific dialogue, always campaigned for exhibition accessible to a large public.

Nowadays, the museum holds an important place in the hierarchy of Moldovan museum system given the contribution to the development of Moldovan museology gradually evolving into an institution with individuality and given its attitude towards the public which is supporting the museum and perceiving it as part of daily culture.

At the end of 2013, the National Museum of History marked the 30^th anniversary from its foundation. The anniversary was marked by the publication of the Album National Museum of History of Moldova 1983-2013. The work was inspired by the respect for the museum and its audience, by the knowledge of national values and the need to present and promote the museum institution. Also, the album is a tribute to all those who through their concerns have contributed to the creation and development of the National Museum of History. The album is an intellectual achievement worthy for the documental history presented.

Printed with hardcover, the content of the volume illustrates key moments and events relating to the organization and development of the museum over 30 years. The album is structured in several sections: Foreword, Short history, Heritage, Exhibitions, Scientific activities, Cultural-educational events, Personnel. Regarded as a whole, the album represents a valuable contribution to the development of Moldovan museology. The volume contains around 170 images reflecting museum's various activities, development of the institution during its 30 years of existence and shows the most significant museum exhibits displayed in the permanent exhibition, in temporary exhibitions and preserved in museum collections. The pictures are of good graphic quality. The images were used by authors to present the museum's past and present.

The reader enters the museum world with the Forward signed by dr.hab. Eugen Sava, general director of the museum, which presents shortly the foundation, evolution and significance of this museum institution. Each compartment is distinguished by a unique design developed by Ivan Litsiuk. The album was prepared by dr. hab. Eugen Sava, Aurelia Cornețchi, dr. Elena Postică, dr.hab. Elena Ploșnița.

The album is a new contribution to a deeper knowledge of Moldovan museological past, an intellectual achievement worthy of note by documentary value and usefulness of the approach in general.

Published in 2013 at the publishing house Bons offices from Chișinău, the album is intended for all those interested and passionate by museum and heritage, wherefore all texts are given in three languages: Romanian, English and Russian. .

Elena Ploșnița