In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
In the summer of 2008 as part of the rescue excavations near the village Hârtopul Mare, Criuleni district, was investigated a flat grave done by inhumation from the 13th-14th centuries. The burial was discovered in the immediate vicinity of the place called by the local inhabitants „La Şanț” where were attested a Getae fortress and a medieval settlement from the 11th-12th centuries.
In a pit of a rectangular shape with rounded corners, at the depth of 0,5 m has been investigated the remains of an individual of 20-25 years old, east-north-east head oriented, laying on the back, with the legs and right hand stretched, the hand of the left arm placed on the basin bones. At the right temple was found a bronze earring question mark shaped, and between the bones of the left arm and the bones of the thorax had an iron handle with a flint piece. Under the left knee was discovered an iron arrow point, and near the right leg, under the knee – a battle axe and the remains of a closure with iron tag. The analysis of the funerary rite features and inventory places the grave in the chronological diapason of the 13th-14th centuries and attributes it to the late nomads. It finds analogies on the territory of the Republic of Moldova among the flat graves from Hansca-Limbari and Mateuți-Şcoala nouă. The grave is part probably of a flat necropolis which’s presence near the fortress „La Şanț” has been pointed out by the inhabitants of the village and by the researchers.
Иван Власенко
The results of archaeological exploration in central and northern regions of the Republic of Moldova
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
Иван Власенко
Hallstatt cultural-chronological horizons of multilevel settlement Ivancea II
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Вячеслав М. Бикбаев
Petreni “Towers” (from archaeological interpretation of aerial photographs to reconstruction of the Cucuteni-Tripolye settlements life)
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Иван Власенко
Late residential compounds of the early medieval settlement Rudi
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Иван Власенко
Early medieval bone handles of knives with annular notches as one of the possible signs of ethnic attribution of the Tivertsi
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 1, Arheologie. Istorie Antică
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
