German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the given article the author defines the bourgeoisie as a social category linked mainly to the urban economy, which has capital and power of decision in capitalist community. The author classifies Bessarabian bourgeoisie of the nineteenth century into four categories:
1. “Economic bourgeoisie” (commercial, usurious, industrial etc.) covers, in fact, those layers that are closely linked to economic activity: the large merchants (the first and second guild), moneylenders, owners of commercial and industrial enterprises etc., which differed from each other not so much in terms of origin and the place they occupy in society, but especially in terms of interests and level of wealth. This social group was formed after the introduction of guild reform in Bessarabia according to the decision of the Governing Senate of 26 September 1830. 2. The second category consisted of state officials. Promoting a national-colonial policy in Bessarabia, tsarism based not only on the small part of local nobility that it could draw to work in various state institutions, but also on foreign element, which consisted mainly of civilian and, especially, military Russian nobility. During the first half of the nineteenth century, when there was an institutional modernization, this layer, ignored by the aristocratic elite, was evolved into the bourgeoisie, and a small part of it was actively involved in economic activities. 3. A special category was formed of people engaged in the intellectual labour, which were representatives of a wide enough range of professions: teachers of different specialties, doctors, lawyers, attorneys, engineers, etc. Characterized by different levels of wages and, respectively, different levels of wealth, this category was also varied and, like the rest, differed only by intellectual training and professional qualification. 4. On the lowest level in the Bessarabian social hierarchy there was “the petty bourgeoisie” (the lower middle class), which brought together representatives of different professions - small traders (the third guild of merchants), artisans of various specialties, owners of grocery stores, inns, coffee shops, and restaurants, chemists, butchers, petty officers, etc. The rapid development of Bessarabia towards capitalism had essentially contributed to social instability of this layer, thus causing their passage up and down the social scale. An example of this is the layer of guild merchants, who were constantly moved from one guild to another and from this social category in the petty bourgeoisie.
Analysing the commercial bourgeoisie and petty bourgeoisie, the author concludes that the peripheral situation of Bessarabia in the economic and political system of the Russian Empire has determined clearly discriminatory attitude of central authorities towards the region, which was reflected in the restriction of the rights and opportunities for local residents, mostly Moldovans, through the attraction of foreign merchants and traders from the Russian provinces, providing them with various benefits. As a result, the lack of state unity and national independence, political domination and economic exploitation by the Russian Empire directly influenced the genesis of bourgeoisie of Bessarabia. As a result, the bourgeoisie of Bessarabia was established as cosmopolitan social structure consisted largely of alien elements, supported and protected by the imperial administration.
Valentin Tomuleț, Alexandru Bordian
Priority directions in trade and customs policy of tsarism in Bessarabia in the first third of the 19th century
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The establishment and activity of Lancasterian schools in Bessarabia in the 1820s-1840s
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Valentin Tomuleț
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Historiographical considerations regarding the status of ruptashi in Bessarabia under Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.