Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition. In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai.
The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).
Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.
He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies. Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage. Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration. Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the given article the author defines the bourgeoisie as a social category linked mainly to the urban economy, which has capital and power of decision in capitalist community. The author classifies Bessarabian bourgeoisie of the nineteenth century into four categories:
1. “Economic bourgeoisie” (commercial, usurious, industrial etc.) covers, in fact, those layers that are closely linked to economic activity: the large merchants (the first and second guild), moneylenders, owners of commercial and industrial enterprises etc., which differed from each other not so much in terms of origin and the place they occupy in society, but especially in terms of interests and level of wealth. This social group was formed after the introduction of guild reform in Bessarabia according to the decision of the Governing Senate of 26 September 1830. 2. The second category consisted of state officials. Promoting a national-colonial policy in Bessarabia, tsarism based not only on the small part of local nobility that it could draw to work in various state institutions, but also on foreign element, which consisted mainly of civilian and, especially, military Russian nobility. During the first half of the nineteenth century, when there was an institutional modernization, this layer, ignored by the aristocratic elite, was evolved into the bourgeoisie, and a small part of it was actively involved in economic activities. 3. A special category was formed of people engaged in the intellectual labour, which were representatives of a wide enough range of professions: teachers of different specialties, doctors, lawyers, attorneys, engineers, etc. Characterized by different levels of wages and, respectively, different levels of wealth, this category was also varied and, like the rest, differed only by intellectual training and professional qualification. 4. On the lowest level in the Bessarabian social hierarchy there was “the petty bourgeoisie” (the lower middle class), which brought together representatives of different professions - small traders (the third guild of merchants), artisans of various specialties, owners of grocery stores, inns, coffee shops, and restaurants, chemists, butchers, petty officers, etc. The rapid development of Bessarabia towards capitalism had essentially contributed to social instability of this layer, thus causing their passage up and down the social scale. An example of this is the layer of guild merchants, who were constantly moved from one guild to another and from this social category in the petty bourgeoisie.
Analysing the commercial bourgeoisie and petty bourgeoisie, the author concludes that the peripheral situation of Bessarabia in the economic and political system of the Russian Empire has determined clearly discriminatory attitude of central authorities towards the region, which was reflected in the restriction of the rights and opportunities for local residents, mostly Moldovans, through the attraction of foreign merchants and traders from the Russian provinces, providing them with various benefits. As a result, the lack of state unity and national independence, political domination and economic exploitation by the Russian Empire directly influenced the genesis of bourgeoisie of Bessarabia. As a result, the bourgeoisie of Bessarabia was established as cosmopolitan social structure consisted largely of alien elements, supported and protected by the imperial administration.
Valentin Tomuleț
The legal status of călărași in Bessarabia: from Moldovan traditions to the Russian imperial administrative system
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The establishment of special administration of city Ismail and its role in the evolution of commercial bourgeoisie (1830-1853)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Maria Danilov, Cenzura sinodală și cartea religioasă în Basarabia. 1812-1918 (între tradiție și politica țaristă), Biblioteca Tyragetia XIII. – Chișinău, 2007 (Tipogr. „Bons Offi ces”), 264 p.
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Mazili and ruptași (and other social categories) in the statistics of the 1817 census
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.