In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Bessarabian clergy actively provided moral and material support to the victims of war. It was created a clerical department to help the soldiers and their families. Each district elected a delegate to be part of a clerical group that would be subordinated to this department. The members if this group were sent to the front line if needed. The medical centers opened by the Bessarabian clergy treated wounded soldiers not only from Bessarabia, but also from the remote provinces of Russia and from Serbia. The clergy that was faithful to imperial authorities also helped to collect donations for the Russian army, which they regarded as Christ-loving. The departure of church choristers to the front line led to significant degradation of church music during that period.
Another important aspect is that the monasteries also supported charity activities initiated by the tsarist authorities. Thus, the money raised was sent to cover various needs of the front and monks were assigned to perform religious services. Some monasteries provided shelter for children whose parents have died or been wounded in battle. The February Revolution of 1917 had a significant effect on the activity of the Bessarabian clergy, whose members began to publish articles on the problems of Bessarabia. They offered options for a peaceful reorganization of state and church based on new principles of Orthodox Faith. However, the socialist ideas have gained many supporters among soldiers and the faithful who believed that a new society could be built through destruction and anarchy. This caused persecutions of the clergy and even assassinations. Some priests supported the national movement and the principles of freedom and democratization of the church. However, assessing the impact of the First World War to Bessarabia, it should be recognized that the clergy supported the imperial power and subordinated to political interests of Russia.
Silvia Scutaru
Clergy’s requests during theeparchial congresses of 1917
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Silvia Scutaru
The activity of the Bessarabian school of church choristers (1889-1918)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
