In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Materials under discussion are in the main documentary evidences concerned the history of a private library of the first half of the 19th century belonged to Dimitrie Gobdela (1780-1831), a lecturer at the Academia Domnească from Iași. The book collection of the Dimitrie Gobdela’s famous library that numbered 2733 volumes in different languages: Greek, German, French, Latin etc. was brought to Bessarabia and given in pawn by its owner (April 1, 1825) to a boyar Dimitrie Carastati in exchange for 335 Dutch gold coins. Official correspondence from the Chișinau National Archives (the Fund of the Bessarabian Marshal of the Nobility and the Fund of the Office of the Civil Governor of Bessarabia) fills in some unknown or little-known pages of the destiny of the Dimitrie Gobdela’s library. Our task is to clarify and to highlight the historical and cultural value of that imposing collection of books, that later was found in the library of the Chișinău Regional Gymnasia. There are several reasons for attaining these objects: • Insufficient historical data on the collection of books from the libraries of Bessarabia of the 19th century. • Lack of scientific information on the catalogue of the Dimitrie Govdela’s Library. • Specificity of the restrictive system of the tsarist censorship concerned foreign books brought to Bessarabia.
List of illustrations: Fig. 1. Catalogue of books in French from the library of Dimitrie Govdelas (ANRM, F. 88, inv. 1, d. 719, f. 25). Fig. 2. Catalogue of books in Latin from the library of Dimitrie Govdelas (ANRM, F. 88, inv. 1, d. 719, f. 16 001).
Maria Danilov
Dumitru Th. Pârvu, Problema Basarabiei în lumina principiilor actelor juridice internaționale (Contribuții la cunoașterea raporturilor diplomatice româno-ruse). Studiu introductiv, note și indice de nume de Ion Constantin, București: Editura Bibliote
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Maria Danilov
Diffusion of imperial press in Bessarabia and censorship institutions
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Maria Danilov
The Bessarabian manuscript of the Anthim’s sermons
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Maria Danilov
Kаталог архивного фонда Русского Свято-Пантелеимонова монастыря на Афоне», том седьмой, часть 4. Составитель Ермолай (Чежия), Святая Гора Афон/ Издаельство «Голос Пресс», Москва, 2015 г. 445 стр. ISBN 978-5-7117-0734-9
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie
Maria Danilov
The library of Costache Tufescu: Reconstructions (1st half of 19th century)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
