In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Considerations regarding the Getian necropolis from Danceni
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
In specialized and historical literature an opinion took root that the Getian tribes of the eastern Carpathian region particularly those who inhabited the wooded region of Modlova in the 6th -4th centuries B.C. practiced biritualism (inhumation and cremation) in their burial rite.
A strong argument in favor of these opinions is the Danceni multi-layer burial ground. According to them, the Danceni horizon dates back to the 1st millennium B.C. It contains those Scythian-Thracian complexes where biritualism was practiced. Some researches use these complexes in order to argue the Thraco-Getian continuity in the region; others use them to show symbiosis of traditions in the formation of a new archaeological culture in the region, i.e. the Getian culture.
The detailed comparison information on the burial ground and its materials available from publications and re- ports on excavations allowed to single out among “the early Getian” finds of the Danceni burial ground, two hori- zons occurring at different times and ethno-different: Scythian with inhumation of the middle Scythian culture, and typically Getian with cremation which dates back to the end of 5th – beginning of 4th centuries B.C.
Alexandru Levinschi, Ivan Vlasenco
The Getae burial with cremation at the medieval settlement of Poiana I
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Alexandru Levinschi
Preliminary data about initial period of getian settlement in fortified Saharna Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Ion Tentiuc, Alexandru Levinschi
Archaeological researches from Buzduganii de Jos in the Ţuțora Valley conducted in 2008. Preliminary research results
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Alexandru Levinschi, Eugen Sava
The military camp of Charles XII at Varnița near the Bender Fortress
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
