Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.
The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.
The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.
The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.
The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.
The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The discoveries from the 1950ies and 1960ies at Orheiul Vechi have uncovered a series of archaeological monuments which witness the presence of the man in this space from Paleolithic until the modern period. The realization of the scientific and historical importance of the discoveries from the area of Orheiul Vechi has lead to the inclusion of the Moldavian medieval town into the political agenda of SSRM by its insertion in the first list of archaeological monuments protected by the state in 1949, along other 11 monuments. The protection and museification of Orheiul Vechi heritage has known several stages of development starting with 1966 when the fist museum complex has been created and ending with the year 2009 when a new concept of reserve was introduced in the Republic of Moldova under the cultural-natural reserve Orheiul Vechi pilot project. Two logics have been remarked which differ in aim, finality and political-ideological motivation, but which support each over and are solidaristic in the immediate action of safeguarding the historic-archaeological heritage. The article has 7 annexes with detailed information based on archival data on the protection, conservation, restoration, and touristic practices from Orheiul Vechi.
Iulia Postică
Public archaeology of museum complex Orheiul Vechi
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Gheorghe Postică, Iulia Postică
Considerations regarding the museum policies within the complex Orheiul Vechi and future perspectives
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Iulia Postică
Museum exhibition – a means to valorize the archaeological heritage
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Iulia Postică
Legislative aspects regarding the protection of the archaeological heritage in the Republic of Moldova (1945-2007)
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Iulia Postică
Rediscovering The Lost World of Old Europe
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
