Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.
The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.
The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.
The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.
The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.
The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Dimitrie Cantemir, Edmond Ciuntu, Mikhail Ostrovsky, Ion Dic, the Greek Monastery of St. Nicholas, the People's Commissariat of Foreign Affairs of the USSR, Moscow, Romania.
Abstract: Frequently not only lifetime, but the posthumous biography of any historical figure becomes overgrown by numerous myths, legends and mysteries. The biography of the outstanding thinker of the first quarter of the 18th century, the Moldavian ruler Dimitrie Cantemir was no exception.
The current publication is dedicated to the research of one of the least developed areas of Cantemirology - the study of the authenticity of the Moldavian prince's remains, which were transferred by the USSR Government to Romania and reburied in Iași in June 1935.
On the basis of numerous archival documents taken from the archives of the ministries of Foreign Affairs of the Russian Federation and Romania, for the first time introduced into the scientific use, the author convincingly and gravely substantiates a version that that the transferred remains do not belong to Dimitrie Cantemir.
List of illustrations: Fig. 1. Nicolae Iorga, Nicolae Titulescu and the members of the governmental commission meet the coffin with the remains of D. Cantemir. Constanța, June 1935. Fig. 2. The letter of thanks signed by N. Titulescu, Minister for Foreign Affairs of Romania, addressed to M. Ostrosky, the Ambassador of the Soviet Union in Romania, in connection with the transfer of the remains of Dimitrie Cantemir. Fig. 3. Project of the building of the People's Commissariat for Heavy Industry. Authors: A. Vesnin, V. Vesnin, S. Lyashenko. 1934. Fig. 4. Project of the building of the People's Commissariat for Heavy Industry. Authors: I. Fomin, P. Abrosimov, M. Minkus. 1934.
Виктор Цвиркун
Anna Cantacuzino-Sheremeteva: Unknown pages of biography
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Виктор Цвиркун
Unknown pages of the biography of C.A. Cantemir
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Victor Țvircun
Unknown pages from the biography of Ivan Ilyinsky-Yaroslavets, secretary of Dimitrie Cantemir
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.