To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
In the present article the author debates the question on professional ethics and deontology in the field of archaeology. His works starts with some general appreciation of the terms of ethics and deontology and than continues with historic presentation of the development of the movement among archaeologists on development of the Code of Ethics.
The Codes of Ethics are considered as legal instruments, because most of them settles relations between archaeologists; between archaeologists and state bodies; between archaeologists and donors; between archaeologist and the native people or settled near to the archaeological sites. At the same time the Code of Ethics contains the list of principles and professional norms. Some experts consider that in this list shall be mentioned the aspects on political partisanat too.
One of the actual and common problems of the archaeologists is combating the black archaeology and illicit trade of antiquities. The names of archaeologists and institutions have not to be involved in such illegal phenomena.
The EEA Code of Practice and other international experience should be taken into account in the preparation of the national Code of Ethics according to the local realities and need. At the end of the paper the author is inviting the archaeological community from Moldova to establich a working group and prepare the draft of the Code which could be later discussed and approved.
Sergiu Musteață
Stefan Ihrig, Wer sind die Moldawier? Rumänismus versus Moldowanismus in Historiographie und Schulbüchern der Republik Moldova, 1991-2006, Stuttgart: ibidem-Verlag, 2008, ISBN-10: 3-89821-466-4
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Sergiu Musteață
Marcin Woloszyn (Ed.), Byzantine coins in central Europe between 5th and 10th century. Proceedings from the conference organized by Polish Academy of Arts and Sciences and Institute of Archaeology University of Reszow under the patronage of Union Academique International. (Programme No. 57 Moravia Magna). Krakow, 23-26 IV 2007. Moravia Magna. Seria Polona III, Krakow, 2009, 684 pp., ISBN 978-83-7676-008-7
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
Preservation of the historic heritage in USA
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
Florin Curta, (Ed.), The Other Europe in the Middle Ages. Avars, Bulgars, Khazars and Cumans, Florin Curta, General Editor, East Central and Eastern Europe in the Middle Ages, 450-1450, volume 2, Leiden/Boston: BRILL, 2008, ISSN 1872-8103, ISBN 978 90 04 16389 8
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Sergiu Musteață
A new law - a new perspective for the archaeological heritage preservation in the Republic of Moldova
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.