#Exhibit of the Month

This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth.
Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.

The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.

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Publications

Journal „Tyragetia"

vol. X [XXV], nr. 1

ISSN 1857-0240
E-ISSN 2537-6330

Михаил Видейко

Investigations of Trypillia site

Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică

Keywords: Trypillia site, V. Khvoika, excavations, stage Trypillia BI-II, large settlements

Abstract: This article is dedicated to investigations of the site, which gave its name to the Trypillian Culture. For the first time it was excavated by V. Khvoika in autumn 1897, at the same time when he explored few sites around the village of Trypillia in 40 km south of Kiev. Despite the fact that since the excavation more than a hundred years has passed, the results have not been published, except a description in two pages that appeared in 1901. Later the place of excavations was forgotten, and only after 100 years it was discovered for a second time and identified using archival materials. A brief history of this "rediscovery" is presented in this article. We also propose the description of explored objects based on a modern view on the Trypillian Culture objects and interpretation of other finds from this site in the system of contemporary dating and periodization. This article mainly based on data from the Scientific Archive of the Institute of Archaeology of the National Academy of Sciences of Ukraine and some materials from the National Museum of History of Ukraine. Trypillia now is the largest (possibly up to 100 hectares) site of this culture in the Middle Dnieper region and at the same time the earliest one of these sites, dated by BI-II stage (around 4400-4200 BC).

List of illustrations:
Fig. 1. Fragment of the Open Letter of 1909 to the excavations in the Kiev region, including Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 2. Page from the field dairy by V. Khvoika (1897) with a view of the place of excavations near Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 3. Excavations near Trypillia, drawing from a table made by V. Khvoika. Drawing is based on the sketch from the field dairy, 1897. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kyiv.
Fig. 4. Photo from a table made using field drawings. Inscription on the top: "Excavations near Trypillia, Kiev district". Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 5. Maps with the place of excavations: 1 - scheme published by V. Khvoika in 1904; 2 - fragment of a map, possibly used for the scheme; 3 - fragment of a scheme. Place of excavations is marked by an arrow.
Fig. 6. Excavations near Trypillia, panorama by V. Khvoika (a) vs satellite image (b): 1 - place, from which V. Khvoika observed explored area near Trypillia; 2 - hill at the central part of Trypillia with church; 3 - windmills to the right; 4 - windmills on Divich Gora (to the left). Place of excavations marked by circle.
Fig. 7. Place of excavations near Trypillia in 2003: а - view to Trypillia, by number 4 Divich-Gora marked (on drawings to the left); b - plateau with site, view from Krasnaya river; с - view from Trypillia, 1 - place, from which V. Khvoika observed explored area near Trypillia; place of 2003 г. Excavations marked by arrow.
Fig. 8. Trypillia, 2003: 1 - test-pit, general view; 2 - cultural layer with remains of burnt house; 3 - fragment of pear- like vessel; 4 - fragments of painted pottery.
Fig. 9. Trypillia, excavations in 1897, drawings by V. Khvoika. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 10. Trypillia, excavations in 1897, drawings by V. Khvoika. Croup of vessels and human bones. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 11. Trypillia, excavations in 1897, drawings by V. Khvoika. Page from dairy, dated 3.10.1897. Group of vessels in test-pit. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 12. Trypillia, excavations in 1897, drawings by V. Khvoika, later used for preparations of the large illustration.
Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 13. Finds from excavations near Trypillia: 1 - stone tools; 2 - copper axe. Drawings by V. Khvoika (1) and photo
(2) published in 1901.
Fig.14. Trypillia, helmet-like cap: 1 - old label with inscription, in which Trypillia mentioned as the place of finding; 2-4 - helmet-like cap, general views. National Museum of History of Ukraine, Kiev.
Fig. 15. Fragments of painted pottery, probably from Trypillia. Drawings from the large table prepared by V. Khvoika for publication. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 16. View on excavations near the Krasna River by Trypillia at the beginning of the 20th century: 1 - inscription from the top of passé-partout; 2 - photo of trench, places with vessels are marked; 3-4 - finds enlarged. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.