In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The idea to involve Jews in Russia in agricultural work appeared for the first time at the late 18th - early 19th centuries, having been originated from both Russian statesmen and representatives of the Jewish intellectual elite. Among the first ones we can mention Chatsky with his project of 1788, Frizel and especially Derzhavin, among the latter – Nota Notkin (1798) and I.B. Levinson (the late 1820s). The government was also interested in this idea, intending to make the Jews “useful citizens for the benefit of the State” and use them, along with the Germans and Bulgarians, for the colonization of the territories of Novorossiya.
The final status of the Jewish farmers was confirmed by a special statute from December 26, 1844, under which they had been provided with a number of privileges: exemption for 10 years from payment of all taxes and financial charges (except personal ones) with respect to the land in use, from payment of all arrears on a previous state, from recruitment for a period of 25 years, etc. Each family received 30 dessiatinas of land.
According to the tax census of 1851, in Bessarabia there were registered 1966 Jewish farmers. By 1857 in Bessarabia there were already 13 Jewish colonies: in the counties of Hotin (1), Soroca (6) Iasi (2), Orhei (2), Chisinau (1), and Bender (1).
Later the number of Jewish colonies has declined. In 1874 they had only 8 ones (including an uninhabited): 1 colony in the Iasi county and 7 colonies (including the uninhabited one) in the Soroca county.
Although the Jewish farmers benefited from certain privileges and some measures were taken for their promotion, household level in the Jewish colonies was quite low, which proved the Jews’ inability of the agricultural labour and their negative attitude towards this branch of economy, since by their nature they tended to trade and crafts.
Valentin Tomuleț
Mazili and ruptași (and other social categories) in the statistics of the 1817 census
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The establishment of special administration of city Ismail and its role in the evolution of commercial bourgeoisie (1830-1853)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Alexandru Bordian
Priority directions in trade and customs policy of tsarism in Bessarabia in the first third of the 19th century
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Jewish component in the ethnical structure of the commercial bourgeoisie in Bessarabia (1812-1868)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Valentin Tomuleț
Historiographical considerations regarding the status of ruptashi in Bessarabia under Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.