In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Манаджемент археологического насследия и кража древностей в Республике Молдова
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
В данной статье автор анализирует вопрос об археологическом наследии и о нелегальной краже и продаже древностей в Республике Молдова. На основе нескольких примеров показывается солжность ситуации в области охраны археологичесго наследия, распространение феноменнов «чёрной археологии» и незаконная торговля древностей в Республике Молдова. Несмотря на то что национальное законодательство содержит административные и уголовные санкции направленные против тех которые совершают преступления, что ведут к повреждению и разрушению археологического наследия, до сих пор небыло никто небыл привлечён к ответсвенности. По неофициальным данным, в Республике Молдова, имеются более 1500 метал детекторов которые используются «чёрными архелолгами». Следы этих копателей можно заметить на самых известных памятников – Костешты, Яловенский район, Древний Орхей и.др. Незаконная торговля древностей в Республике Молдова реализуется в отрытую, доказательством может быть, так называемая «биржа» которая проводится в каждую суботу в здание ресторана «Garcorix», улица В. Александри 78 в городе Кищинэу, где можно найти помимо почтовых марок, современных монет и археологические предметы. В этой ситуации, правительство Республике Молдова должна, как можно быстрее разработать эфективную и долгосрочную программу по защите археологического наследия.
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Stefan Ihrig, Wer sind die Moldawier? Rumänismus versus Moldowanismus in Historiographie und Schulbüchern der Republik Moldova, 1991-2006, Stuttgart: ibidem-Verlag, 2008, ISBN-10: 3-89821-466-4
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
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Florin Curta, (Ed.), The Other Europe in the Middle Ages. Avars, Bulgars, Khazars and Cumans, Florin Curta, General Editor, East Central and Eastern Europe in the Middle Ages, 450-1450, volume 2, Leiden/Boston: BRILL, 2008, ISSN 1872-8103, ISBN 978 90 04 16389 8
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.