Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Keywords: Tulucești, Valea Mărului, Galați, axe, axe-hammer, the Middle Ages.
Abstract: Random discoveries have allowed us to discover some very interesting artifacts - four iron axes, relating to the period of the Middle Ages. None of them has archaeological context; they were found in the collections of two school museums from the villages in the county of Galați, where we carried out archaeological research: Tulucești(A) and Valea Mărului (B).
These items are not rarities (such artifacts are known in Romania, as well as in Europe), but to date it is the only finds of this kind in southern Moldova. In addition, the presence of the original ornamentation on two axes, which has no analogies in the literature available to us, prompted us to present them in this publication, although some of these items have already been published.
List of illustrations: Fig. 1. Physical map of the Galați County indicating the villages of Tulucești and Valea Mărului. Fig. 2. Axe-hammer found at Tulucești (photo by C. Croitoru; drawing by C. Istrati). Fig. 3. Axe found at Tulucești (photo by C. Croitoru; drawing by C. Istrati). Fig. 4. Axe found at Valea Mărului (photo by C. Croitoru; drawing by C. Istrati). Fig. 5. Letter from 27 November 1974, the annex. Fig. 6. Distribution map of axes on the territory of Moldova. A. hammer-axes: Bălteni; Iași; Piatra Neamț; Mâdrești; Murgeni; Tulucești; Vaslui. B. axes: Câmpulung; Coșna; Cozănești; Dărmănești; Piatra Neamț; Suceava; Șuletea; Vatra Dornei; Vutcani. Fig. 7. Hammer-axes discovered at: 1 - Bălteni; 2 - Curcani; 3 - Gugești; 4 - Murgeni; 5 - Mândrești; 6 - Iași; 7 - Pitra Neamț; 8 - Tulucești; 9 - Vaslui. Fig. 8. Axes discovered at: 1 - Câmpulung; 2 - Coșna; 3 - Cozănești; 4 - Dărmănești; 5 - Piatra Neamț; 6 - Suceava; 7 - Șuletea; 8 - Vatra Dornei; 9 - Vutcani.
Costin Croitoru
Contributions to the history of the Romanian vocabulary: names of Polish coins that circulated in Moldova. I. Potronic
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Costin Croitoru
Contributions to the history of the Romanian vocabulary: names of Polish coins that circulated in Moldova. II. Poltorac / Polturac / Potor
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.