In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Power, legitimization and propaganda in Imperial Rome
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Undoubtedly, the question of power and its legitimization is very important – both from theoretical and practical points of view. Certainly, the question of power and the process of its legitimization is worth of analysis and presentation not only on the examples of modern societies but also in case of societies in more or less distant past. And so, the prresent article deals with the question of power and its legitimization (especially by different means of propagandsa) on the example of ancient Rome – especially the so-called Principate, i.e. Early Roman Empire (27 B.C. – 284 A.D.). During the Empire, the main purpose of propaganda was to strenhten the position of emperor himself. During the empire all military victories were used also (or even first of all) to strengthen position of the emperor. Namely from such point of view is probably best to analyze such the monuments like the Trajan’s Column in Rome or the monument in Adamclissi (in modern Romania). Such the purposes served also triumphal arches, got instance the triumphal arch devoted to Septimius Severus and his family at Leptis Magna. Undoubtedly, the imperial propaganda proved itself to be a very successful tool of the imperial power, acting together with well trained and equipped Roman army and with very efficient Roman bureaucracy.
Marek Żyromski
The army as an important factor of social mobility in Roman Empire
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Jerzy Hatłas, Marek Żyromski
Protoierey Mihail Chakir – orthodox priest, gagauzian spiritual leader and historian (1861-1938) – and the question of emancipation of gagauzians as the independent nation
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Marek Żyromski
The patterns of promotion within the roman army and administration – patronage versus experience and specialization
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Janusz Skoczylas, Marek Żyromski
The stonemasons’ signs in the social and political context
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
