To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Power, legitimization and propaganda in Imperial Rome
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Undoubtedly, the question of power and its legitimization is very important – both from theoretical and practical points of view. Certainly, the question of power and the process of its legitimization is worth of analysis and presentation not only on the examples of modern societies but also in case of societies in more or less distant past. And so, the prresent article deals with the question of power and its legitimization (especially by different means of propagandsa) on the example of ancient Rome – especially the so-called Principate, i.e. Early Roman Empire (27 B.C. – 284 A.D.). During the Empire, the main purpose of propaganda was to strenhten the position of emperor himself. During the empire all military victories were used also (or even first of all) to strengthen position of the emperor. Namely from such point of view is probably best to analyze such the monuments like the Trajan’s Column in Rome or the monument in Adamclissi (in modern Romania). Such the purposes served also triumphal arches, got instance the triumphal arch devoted to Septimius Severus and his family at Leptis Magna. Undoubtedly, the imperial propaganda proved itself to be a very successful tool of the imperial power, acting together with well trained and equipped Roman army and with very efficient Roman bureaucracy.
Marek Żyromski
The patterns of promotion within the roman army and administration – patronage versus experience and specialization
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Janusz Skoczylas, Marek Żyromski
The stonemasons’ signs in the social and political context
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Marek Żyromski
The army as an important factor of social mobility in Roman Empire
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Jerzy Hatłas, Marek Żyromski
Protoierey Mihail Chakir – orthodox priest, gagauzian spiritual leader and historian (1861-1938) – and the question of emancipation of gagauzians as the independent nation
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.