We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Regency, reign and power to feminine (centuries XIV-XVII)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The issue of the woman in the conception of political history presents both suggestions or a new vision in history as interest towards acknowledgment of the past. It is worth mentioning also, that in this short study one has made an attempt to change the historical accents, in other words, one has proposed to filtrate the political history through the feminine perception. Unfortunately, history feminine theme was rejected many years and only in the last decade was deeply researched by the colleges in Romania. Without pretending to fully solve the problem, one considers indisputable that without studying the history of vision as a whole might be unilateral. In this way, the respective study is just an attempt of treating a very delicate issue-the role of the woman in determining the ruling dynasties in Medieval Moldova and the regency of the ladies. The documentary of the questioned era reflects the situation and the position of women. In the continuity of the dynasties, a leading role have played the ladies. In addition, historical facts show that some ladies from Medieval Moldova were true historical figures.
Lilia Zabolotnaia
The first testament of Maria Cantemir, from 1725
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Helena Krasowska, The Polish Minority in South-Eastern Ukraine. Warsaw: Institute of Slavic Studies, Polish Academy of Sciences, 2017, 389 p. ISBN: 978-83-64031-65-6
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Rare editions of works by Dimitrie and Antiochus Cantemir, stored in the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Lilia Zabolotnaia
New documentary explorations in Cantemirology: The will of Matei Cantemir
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Marriage institution during middle ages: obstacles and prohibitions. Exploration of historical anthropology and comparative studies
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
.jpg)
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
