This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth. Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.
The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.
Royal visit to Chișinău (1920) - images and history
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
The National Museum of History of Moldova came into possession of a mini-collection of illustrated postcards devoted to the visit of King Ferdinand I and Queen Marie of Romania to Bessarabia in May 1920. On the pictures made in the Chișinău photo shop of I. Zemșman there are images of the representatives of royal house and events during the visit that was also reflected in the press of the time, memoirs and historical literature. The postcards depict the following scenes: the royal retinue attending a worship service at the Nativity Cathedral, the royal family during the ceremony in front of the Diocesan House, Queen Marie visiting the People’s Canteen in Chișinău, and two images of the royal retinue on the streets of Chișinău. These images encouraged us to make an overview and summary of the visit, which was a special event not only for the reason that it was made by the rulers of the Kingdom of Romania, but also because it was organized prior to the recognition of the union of Bessarabia with Romania by the major allied powers and immediately after negotiations with the Supreme Committee of the Paris Peace Conference. The royal visit to Bessarabia took place before the signing of the Treaty of October 20, 1920 where the main allied powers recognized its unification with Romania. The need for this visit to Bessarabia was undeniable, as the physical presence of the king is „an act of asserting of legitimacy and suzerainty”.
List of illustrations:
1. Advertisement of I. Zemșman’s photo shop, Chișinău, the beginning of the 20th century. 2. Royal retinue attending a worship service at the Nativity Cathedral, 1920 (Postcard, NMHM). 3. Royal family during ceremonies organized in front of the Diocesan House, 1920 (Postcard, NMHM). 4. Queen Marie visiting the People’s Canteen in Chișinău, 1920 (Postcard, NMHM). 5, 6. The king and queen on the streets of Chișinău. 1920 (Postcard, NMHM).
Ana Grițco
Pages from the history of hotels in Bessarabia. Deltiologic research (2nd half of 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Ana Grițco
Requisition as a way of sovietisation of Bessarabian peasants
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Ana Grițco
Constantin F. Cazimir’s activity within the Bessarabian zemstva
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Ana Grițco
Scientific activity in Bessarabia as reflected in works of some figures (1812-1918). From the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Ana Grițco
An exhibition full of lights
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
