The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Royal visit to Chișinău (1920) - images and history
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
The National Museum of History of Moldova came into possession of a mini-collection of illustrated postcards devoted to the visit of King Ferdinand I and Queen Marie of Romania to Bessarabia in May 1920. On the pictures made in the Chișinău photo shop of I. Zemșman there are images of the representatives of royal house and events during the visit that was also reflected in the press of the time, memoirs and historical literature. The postcards depict the following scenes: the royal retinue attending a worship service at the Nativity Cathedral, the royal family during the ceremony in front of the Diocesan House, Queen Marie visiting the People’s Canteen in Chișinău, and two images of the royal retinue on the streets of Chișinău. These images encouraged us to make an overview and summary of the visit, which was a special event not only for the reason that it was made by the rulers of the Kingdom of Romania, but also because it was organized prior to the recognition of the union of Bessarabia with Romania by the major allied powers and immediately after negotiations with the Supreme Committee of the Paris Peace Conference. The royal visit to Bessarabia took place before the signing of the Treaty of October 20, 1920 where the main allied powers recognized its unification with Romania. The need for this visit to Bessarabia was undeniable, as the physical presence of the king is „an act of asserting of legitimacy and suzerainty”.
List of illustrations:
1. Advertisement of I. Zemșman’s photo shop, Chișinău, the beginning of the 20th century. 2. Royal retinue attending a worship service at the Nativity Cathedral, 1920 (Postcard, NMHM). 3. Royal family during ceremonies organized in front of the Diocesan House, 1920 (Postcard, NMHM). 4. Queen Marie visiting the People’s Canteen in Chișinău, 1920 (Postcard, NMHM). 5, 6. The king and queen on the streets of Chișinău. 1920 (Postcard, NMHM).
Ana Grițco
Building of the Hârbovăț Community of Nurses in Chișinău (late 19th - early 20th centuries): the image and history
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Ana Grițco
Constantin F. Cazimir’s activity within the Bessarabian zemstva
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Ana Grițco
Pages from the history of hotels in Bessarabia. Deltiologic research (2nd half of 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Ana Grițco
Amusement places in Chișinău. Cafe Man’kov (Late 19th century - the 30ies of 20th century)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Ana Grițco
Requisition as a way of sovietisation of Bessarabian peasants
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.