In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
In the 70-ies of the 20th century two medieval monetary and ware hoards were accidentally unearthed. The first treasure was found near Sîngerei town, Sîngerei district and contained four pieces of jewellery and twenty nine coins. The other hoard was discovered at Hîjdieni village, Glodeni district and contained four objects and three coins.
The hoard from Sângerei includes 26 Lithuanian coins: 2 half groshes of Alexander’s I emission of 1495-1501, 6 half groshes of Sigismund II; 16 half groshes and 1 grosh of Sigismund II; a three grosh coin of Sigismund III Wasa. Prussia is represented by a grosh of the time of Albrecht I. Mariengrosh (1553) and a thaler of the time of Rudolf II emitted in 1597 represent Göttingen and Lübeck which were parts of the German Holy Roman Empire. Therefore, the half grosh of Alexander I coined in 1495-1501 is the earliest coin of the Sîngerei treasure. Thaler of the time of Rudolf II emitted in 1597 is the latest of the coins. Judging by that the objects of this hoard may be presumably dated to the end of the 15th -16th c., and the hoard could be dated to the end of the 16th century.
Coins from Hîjdieni village include two leeuwendaalders minted in Utrecht (United Provinces) in 1647 and 1648, and 28 Stubers of Emden town (German Holy Roman Empire) minted during the rule of Friedrich III (1637-1668). The fourth coin is a Lithuanian shilling of the time of Ian Kazimir Wasa (1648-1668) emitted in 1652.
In this period foreign and internal policy of Moldova substantially depended on relations with Turkey and Poland. The war of 1593-1606 in which Moldova was involved lead to destructive devastations which caused anti-Turkish protests. A military conflict of 1648-1654 between Poland and the revolted Cossacks of Bogdan Hmelnitskiy substantially affected the territory of Moldova and lead to its devastation and famine of 1650. These events could possibly be the reason for placing of the two hoards.
Ana Niculiță
Regarding two medieval coin hoards from Florești district, Republic of Moldova
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Анна Никулицэ
Golden and silver adornment objects discovered at the Aeneolithic and Bronze Age monuments (on the materials from the NMAHM collections
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
