In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Surface structures from the settlements near by Saharna village
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Several Iron Age monuments are known in the village of Saharna, Rezina region. For a few years planned archeological research had been conducted in three of them: Saharna Mică, Saharna Mare and Saharna “La Şanț”. In the course of research, it was established that Saharna Mare stony cape was first settled in the end of the 12th century B.C. In the 11th century B.C. an unfortified settlement existed here. By the end of this century or at the end of the next century, it was abandoned and the population moved to another area. As evidenced by the archaeological materials Saharna Mică cape was resettled by the 7th century B.C. The most intensive economic development the settlement reached in the 6th-5th centuries B.C., and military development by the 4th-3d centuries B.C. when it was fortified by a complicated system of fortified structures.
On the ground of research conducted on the territory of the Saharna Mare settlement it was established that in the 6th-5th centuries B.C. it occupied a considerable part of the cape and reached its peak of development in the 4th-3d centuries B.C.
According to the archeological materials, the fortified settlement of Saharna “La Şanț” was established in the 7th-6th centuries B.C., and later in the 5th-4th centuries B.C. it was already fortified by a wooden-earthen structure. Follow-up studies will allow us to more accurately determine the time when the settlements were settled and then abandoned.
Aurel Zanoci, Tudor Arnăut
Profesorul Ion Niculiță la 70 de ani
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Aurel Zanoci
Zur Typologie und Entwicklung der Befestigungsanlagen östlich der Karpatengebirge im 12./11.-3. Jh. v. Chr.
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Ion Niculiță, Aurel Zanoci, Tudor Arnăut
Fortifications of the Early Iron Age settlement Saharna Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Tudor Arnăut
In memoriam professoris Constantini Predae
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Aurel Zanoci
Typology and evolution of gates and access into early hallstattian fortresses in Tisa-Dniester space
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
