This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth. Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.
The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.
The early medieval spirituality in the Prut-Nistru space
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
In the early medieval period in the Prut- Nistru space existed a multicolored spirituality based on Christian and Pagan values. These phenomena are attested in this region at all the development stages of the early medieval period, beginning with the 5th-7th centuries until the 12th-13th centuries.
The Christian values were characteristic first of all to the sedentary people of Romanic origin which practiced this cult starting from the late antiquity. At certain stages of the early medieval period, especially after the years 865 and 988 when the Christian religion become official in the Slavic world, these Christian values were embraced by Slavs groups established in this space as well. Therefore after the 10th century the sedentary people from the Prut-Nistru region can be characterized as exclusively Christian. The Christian religion in the 10th-13th centuries was practiced probably by a part of the nomads turned sedentary in the autochthons settlements.
From canonical standpoint, the Christians from the Prut-Nistru space in the early medieval period were subordinated to the Constantinople Patriarchy. Still the Christianity from this region and other North-Pontic regions is remarked as a popular one, situation caused by the by the isolation of this territory from the Byzantine world and its inclusion within a political space dominated by different pagan migratory peoples. A living expression of the popular Christianity from this space for the period of the 5th-9th centuries can be considered the funerary rite of the sedentary people who during a relatively long period preserved along the practice of inhumation the cult of incineration of the dead. In the 10th-11th centuries the Christian cult in the Prut-Nistru space crystallizes in forms close to the contemporary one.
The pagan values as religious systems in the early medieval period were characteristic for the migratory peoples. The bearers of pagan beliefs in the Prut-Nistru were the old Slavs, the Alans, the Bulgarians, the Hungarians, the Pechinegs, the Oguzs, the Cumans and the Mongols. Some pagan rituals were practiced as remains within the Christian religious system by the sedentary people.
Regarded from the standpoint of the spirituality the early medieval civilization of the Prut-Nistru space was made of two distinct worlds: Christian – represented by the sedentary local people and the pagan – represented by the migratory tribes of the steppe nomads, while at certain stages by groups of sedentary.
Other articles by the author(s):
Gheorghe Postică, Iulia Postică
Considerations regarding the museum policies within the complex Orheiul Vechi and future perspectives
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Gheorghe Postică
Die Perlenmosaik mit Miniaturporträts des römischen Kaisers Konstantin der Große, Constantinus II und Constantius II aus Bursuceni, Republik Moldau
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.