Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
The exhibition „Soviet Moldova: Between Myths and the Gulag"
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Red Terror, as well as the „Soviet Dream", began simultaneously with the Bolshevik revolution in Russia.
Since November 7, 1917, in the territory of the present Republic of Moldova, first in the Moldavian Autonomous Soviet Socialist Republic and since 1940 in the Moldavian Soviet Socialist Republic, the totalitarian communist regime committed a series of crimes against humanity: genocide, political repressions, and the organized famine. Hundreds of thousands of innocent people were persecuted for their political or religious beliefs, by national or social reasons. Hundreds of thousands of victims were deported to Siberia, sentenced to death, subjected to imprisonment or starved to death in psychiatric institutions.
The exhibition „Soviet Moldova: Between Myths and the Gulag" brings together 730 museum pieces: photographs, documents, letters from Siberia, the posters of those years, the anti-Soviet slogans and leaflets, lists of confiscated property, personal belongings of former deportees and political prisoners, and other historical relics, recreating a terrible picture of the Great Terror. It is dedicated to all victims of totalitarian communist regime.
Elena Postică
Oak from Caracui. Exhibition dedicated to the 100th anniversary of Academician Nicolae Corlăteanu
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Elena Postică
Bessarabian prominent figures in the Romanian governments during the inter-war period
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Elena Postică
Lawsuits initiated against participants of resistance movement from postwar Moldova
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Elena Postică
From the archives of the former KGB to the possession of the museum. History of one collection
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Elena Postică
Victor Andreev: “And when the Motherland will regain freedom ...”
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.