The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
The exhibition „Soviet Moldova: Between Myths and the Gulag"
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Red Terror, as well as the „Soviet Dream", began simultaneously with the Bolshevik revolution in Russia.
Since November 7, 1917, in the territory of the present Republic of Moldova, first in the Moldavian Autonomous Soviet Socialist Republic and since 1940 in the Moldavian Soviet Socialist Republic, the totalitarian communist regime committed a series of crimes against humanity: genocide, political repressions, and the organized famine. Hundreds of thousands of innocent people were persecuted for their political or religious beliefs, by national or social reasons. Hundreds of thousands of victims were deported to Siberia, sentenced to death, subjected to imprisonment or starved to death in psychiatric institutions.
The exhibition „Soviet Moldova: Between Myths and the Gulag" brings together 730 museum pieces: photographs, documents, letters from Siberia, the posters of those years, the anti-Soviet slogans and leaflets, lists of confiscated property, personal belongings of former deportees and political prisoners, and other historical relics, recreating a terrible picture of the Great Terror. It is dedicated to all victims of totalitarian communist regime.
Elena Postică
Lawsuits initiated against participants of resistance movement from postwar Moldova
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Elena Postică
Victor Andreev: “And when the Motherland will regain freedom ...”
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Elena Postică
Cu drag despre un Om drag: la aniversarea Doamnei Aurelia Cornețchi
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie
Elena Postică
Independent Moldova seen through a museum exhibition
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Elena Postică
Documentary photography exhibition “War after the War”
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.