In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
The Giurgiulești earthen fortress. Preliminary research results
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
The Giurgiulești earthen fortress is situated on the left bank of the Prut river, on a high cape, at a distance of approximately 1500 meters from where the river flows into the Danube and defends the shallow river known as “Vadul Boului”. Several opposite hypotheses have been advanced regarding provenance and dating of the fortress.
In connection with the building of a section of the railroad Cahul-Giurgiulești in 2007, along the route and on the cape “Cetatea” very limited rescue excavations were carried out. Thus, a ditch and burnt remains of a wooden palisade have been discovered as the result of excavations. “Mushatin type” ceramic vessels were found at the bottom of the ditch, researched and dated second half of 15th - beginning of 16th centuries.
Inside the earthen fortress a half-earth type construction (12×12 m) had been revealed and partially researched. The pottery allowed to date the construction to 18th – beginning of 19th centuries.
It is proposed that the earth fortress near Giurgiulești was constructed in view of the deterioration of the political and military situation in the Lower Danube in the middle 80s of the 15th century.
Apparently, it was erected before the Ottoman forces conquered the Moldavian fortresses Chilia and Cetatea Albă in 1484 or right after their loss in order to fortify the southern boundaries of Moldova along the Lower Troian mound. According to the Moldavian chronicle, several earthen and stone fortresses such as Birlad, Tintiul, Cetatea Nouă, and Palanca on the Dniester river had been constructed, restored and fortified because of the Turkish invasion. Among them could be constructed the earthen fortress on the Prut river researched by us which subsisted for a very short time.
In the end of 18th – beginning of 19th centuries during Russo-Turkish wars, food and household warehouses were constructed inside the deserted fortress, afterwards revealed by the archaeologists.
Ion Tentiuc, Valeriu Bubulici
Considerations regarding the 10th-11th century Scandinavian pendants with animal motifs or in the shape of hemispheric shield found in the Middle Dniester region
Tyragetia, serie nouă, vol. XV [XXX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2021
Ion Tentiuc, Valeriu Bubulici
Early medieval hoard of forging and jewelry tools found at Voloave, Soroca District
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Ion Tentiuc
Les carreaux des poêles avec l’images heraldiques de Căușeni
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
About horse rider pendants from the early Medieval period in the Prut-Dniester area
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc, Valeriu Bubulici
Finds of coins in the late medieval cemetery of the Măzărache Church in Chișinău (excavations of 2010)
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.