In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
In the questioned study, one have proposed to point out the Movilești dynasty along with famous Polish families and afterwards, the spread of the Movilești dynasty in Europe. One have emphasized that apart from the fact that the Movilești have affirmed as being a ruling dynasty in Moldova on the feminine line, on this particular line the dynasty has preserved its continuity. The masculine line of Ieremia Movila has fallen apart after the first generation. On the other hand, however, on the feminine line, his daughters, throughout their marriages with the polish lords, have preserved the gender fond of his ancestors, and his successors have related with famous royal families from Europe. Raina’s Movlieanca Wisniowiecki grandnephew, Michal Korybut Wisniowiecki, has been chosen king of Poland (1669-1673).
Anna Jablonowska the granddaughter of Maria Movileanca Potocki, was mother of king Stanislaw Ist Leszczyński and grandmother of the queen Maria Leszczyńska, the wife of Ludovic the XV-th, the king of France. Another granddaughter of Maria Movileanca Potocki, Ludwika Karolina Radziwill has been married twice to Ludwig Hohenzollern and Karol Filip, lord of Nierburg.
Considering the exposed earlier, one can utterly confirm, that as European royal dynasties are proud of their continuity, so as Moldova can pride itself with Movilești Dynasty, which spread the “Moldovan blood” of royalty through Europe.
Lilia Zabolotnaia
Testament of Moldavian princess Maria (Lupu) Radziwill from 1659
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia, Sorin Iftimi
Portrait of Maria (Lupu) Radziwill in the works of the Polish painter Korneli Szlegiel (1851)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The destiny of woman in the history of Moldavia. Myths and realities about Catherine the Circassian – the second wife of the hospodar Vasile Lupu
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The first testament of Maria Cantemir, from 1725
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
New research areas in the modern historical science of Moldova. Results and Prospects
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
