Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
The museum institution in the process of globalization
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The beginning of the millennium marked the dissolution of communication borders generated by the transition from a tightly governed political system to the democratization process, from planned economy to the market one, from the rapid development of technologies to the globalization phenomenon. The postindustrial economy had stimulated the mobilization of the intellectual capital and its use in production and service spheres.
It is in the period of impetuous transformations that appears the nostalgia of stability, originality and individuality. The identity of the person, of the community of origin, ethnicity and nationality had always been one of the essential points of each cultural dialog at local, national or universal scale.
In the context of changing social-political and cultural processes, the issue of keeping and affirming identity becomes an essential one; a fortiori it represents the only efficient way of combating the negative and obscured effects of globalization.
The globalization process had imposed the contemporary society with a cultural globalization by redefining the purpose of the museum institution which’s activity is determined by new factors: - the market holds the arbiter role, appreciating and determining the essence of values - the entertainment industry holds a considerable niche in the cultural sphere - reduction of the state role and the emergence of untraditional political formations - disappearance of intellectual borders - appearance and development of multicultural communities - as a result of developing new technologies appear new visions about notions of place, time, space etc.
Another aspect of the cultural globalization is the decentralization of big museums and the rapid museification of society. We are today the witnesses of a big museum revolution; we will be able to appreciate in time whether it is a positive or a negative factor. One of the immediate changes is building new systems of museums, or of a new system of museums. In other words, building a territorial network not only diversified spatially and territorially, but also on profiles, levels and functions in which the different unities complete and correlate among themselves, keeping the same educational and heritage preservation objectives.
Lucia Marinescu-Tonu
The interpretive dimension of museum exhibitions
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Lucia Marinescu-Tonu
Exhibition “My ancient silverware, so artfully crafted...”
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 2, Istorie. Muzeologie
Lucia Marinescu-Tonu
Pedagogy of Cultural Heritage: between illusion and reality
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Lucia Marinescu
In memoriam Mihai Onilă
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Lucia Marinescu-Tonu
Techniques for interpreting cultural heritage in the provinces of Trento and Ferrara
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.