#Exhibit of the Month

This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth.
Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.

The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.

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Publications

Library „Tyragetia"

Simion CARP, Ghenadie CHIRIŢA, Terentie CARP, Ecaterina GÎRBU

Military traditions (past, present, future)

Series Biblioteca „Tyragetia” XXII, Chișinău, 2013, 375 p. ISBN 978-9975-80-703-6.

The authors of the volume Military Traditions (past, present, future) set as main aim to collect, to select, to arrange, to analyze, to highlight and to synthesize, as much as possible, all documentary resources and to include in the scientific circuit the military traditions, the military deeds, the military art, the actions of bravery, courage and spirit of sacrifice shown by our predecessors on the battlefields for the soldierly glory and honor.

The work, as conceived by the authors, covers the main aspects of military tradition issues. Its primary objective is to introduce into the scientific, educational, didactic and cultural circuit the old military traditions, and to synthesize and rebuild, on their base, a contemporary fight style absolutely necessary to the military-patriotic orientation of young generation and for the creation of a new national school of close fight.

The military history of predecessors was rebuilt on a rich documentary material identified in various categories of resources (written, ancient and medieval resources, bas-reliefs, wall painting etc.) collected with big competence and which highlight real possibilities for the use of soldierly glory for patriotic education of students and future defenders of the fatherland.

The publication presents studies in fields of history, culture, traditions, military art, pedagogy with well argued conclusions and synthesis, with highlighted concepts framing into the national ideas - a very important thing for our fellow citizens from the republic and from abroad. In the book are depicted certain events, wars, military conflicts which do not feature in history textbooks, by presentation of new archival data, war letters, list of Bessarabians participants at wars from the end of 19th - beginning of 20th centuries and of notorious personalities that contributed to the evolution of history and national and universal culture. Also, are described and analyzed military traditions and war tactics that were included in the history of universal military art. The portrait of our fellow citizen with his positive traits is presented into a special plastic paradigm.