#Exhibit of the Month

The artifact is a battle axe made from magmatic rock (diabase) of gray-brown color. It was accidentally discovered in 1966 within the territory of Aluniș village, Rîșcani district. Based on its morphological characteristics, the artifact can be attributed to the Catacomb culture (29th-22nd centuries BCE).

The axe features a massive, elongated naviform body with slightly pronounced shoulders, a short and narrow edge that is flat and circular in cross-section. The blade is slightly curved. The hole was drilled in the maximum width of the object. It is circular in shape with a diameter of 2.2 cm. The surface of the artifact is meticulously polished, worked with great care, and shows no signs of damage or chipping.

Dimensions: Length: 20.0 cm; Maximum width: 8.4 cm; Edge diameter: 5.0 cm; Blade width: 7.0 cm; Weight: 2.3 kg.

Stone battle axes are characteristic of the Catacomb culture communities and are most often found as grave goods, deposited in tombs. Their presence in funerary complexes suggests a multifaceted functionality: weapons, social symbols, and ritual objects. Initially used as weapons, the axes became social symbols for their owners, later acquiring votive significance when deposited in tombs to serve the deceased in the afterlife.

The social symbolic function of stone battle axes is indicated by the high-quality rocks used for their manufacture and the exceptionally meticulous craftsmanship. The large dimensions of the axe from Aluniș support this hypothesis and distinguish it from other examples.

The discovery of stone battle axes outside a funerary complex may indicate their votive deposition. It is difficult to imagine that these exceptionally well-crafted pieces, made from high-quality rocks transported over great distances, could have been abandoned or lost accidentally. It is far more likely that they were deposited for magical-religious purposes, a possibility that may also apply to the stone axe discovered at Aluniș.

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Publications

Library „Tyragetia"

Simion CARP, Ghenadie CHIRIŢA, Terentie CARP, Ecaterina GÎRBU

Military traditions (past, present, future)

Series Biblioteca „Tyragetia” XXII, Chișinău, 2013, 375 p. ISBN 978-9975-80-703-6.

The authors of the volume Military Traditions (past, present, future) set as main aim to collect, to select, to arrange, to analyze, to highlight and to synthesize, as much as possible, all documentary resources and to include in the scientific circuit the military traditions, the military deeds, the military art, the actions of bravery, courage and spirit of sacrifice shown by our predecessors on the battlefields for the soldierly glory and honor.

The work, as conceived by the authors, covers the main aspects of military tradition issues. Its primary objective is to introduce into the scientific, educational, didactic and cultural circuit the old military traditions, and to synthesize and rebuild, on their base, a contemporary fight style absolutely necessary to the military-patriotic orientation of young generation and for the creation of a new national school of close fight.

The military history of predecessors was rebuilt on a rich documentary material identified in various categories of resources (written, ancient and medieval resources, bas-reliefs, wall painting etc.) collected with big competence and which highlight real possibilities for the use of soldierly glory for patriotic education of students and future defenders of the fatherland.

The publication presents studies in fields of history, culture, traditions, military art, pedagogy with well argued conclusions and synthesis, with highlighted concepts framing into the national ideas - a very important thing for our fellow citizens from the republic and from abroad. In the book are depicted certain events, wars, military conflicts which do not feature in history textbooks, by presentation of new archival data, war letters, list of Bessarabians participants at wars from the end of 19th - beginning of 20th centuries and of notorious personalities that contributed to the evolution of history and national and universal culture. Also, are described and analyzed military traditions and war tactics that were included in the history of universal military art. The portrait of our fellow citizen with his positive traits is presented into a special plastic paradigm.