#Exhibit of the Month

In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor.
The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.

The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century.
The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913.
Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913.
The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch.
The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.

Virtual Tour

Chronological Axis

Bronze Age

(early 3rd millennium B.C. – late 2nd millennium B.C.)

The Bronze Age is a cultural and historical period characterized by the appearance and spreading of items made of bronze – the first metal created artificially. In the Carpathian-Dniester area the first bronze objects appear in the early 3^rd millennium B.C., becoming the most widespread to the end of the Age. Along with bronze items, the material culture is also represented by ceramic vessels of different shapes, decorated and plain, and implements made of stone, bone, and horn. Characteristic of this period is the presence of burial mound complexes.

The Bronze Age consists of three stages, each one having the peculiarities of archaeological cultures, which form it.

The Early Bronze Age (middle of 3^rd millennium – early 2^nd millennium B.C.) is represented by the Ochre Graves culture (Yamna culture), the representatives of which are identified with the ancient Indo-Europeans [7]. In this period there are also included the Catacomb Graves culture [1] and the Edinet culture [5, 6]. The material culture of the population is notable for the presence of battle axes with irreproachably processed surfaces [1].

The Middle Bronze Age (early 2^nd millennium – middle of 2^nd millennium B.C.) is represented by the culture of pottery ornamented with many bolsters, of the Eurasian origin, and the Komarov culture [8], the last being a peripheral expression of the Bronze Age cultures from Poland and Western Ukraine.

The Late Bronze Age (middle of 2^nd millennium – late 2^nd millennium B.C.) is characterized by the emergence of the Noua-Sabatinovka-Coslogeni cultural complex, which combined elements of the Eurasian and Carpathian-Balkan origin, including vessels with handles [9]. The representatives of this cultural complex inhabited a vast territory from the North Pontic steppes to the Transylvanian Plateau. These communities were mainly engaged in cattle-breeding. The peculiarity of the Late Bronze Age is the presence of hoards with bronze items. In the Museum collection there are many such unique objects: axes, daggers, sickles, needles, vessels, adornments, and votive items [2, 3, 4].

1.Battle axe-hummer, the Catacomb culture