#Exhibit of the Month

Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.

The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.

The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.

The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.

The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.

The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.

Virtual Tour

Chronological Axis

Bronze Age

(early 3rd millennium B.C. – late 2nd millennium B.C.)

The Bronze Age is a cultural and historical period characterized by the appearance and spreading of items made of bronze – the first metal created artificially. In the Carpathian-Dniester area the first bronze objects appear in the early 3^rd millennium B.C., becoming the most widespread to the end of the Age. Along with bronze items, the material culture is also represented by ceramic vessels of different shapes, decorated and plain, and implements made of stone, bone, and horn. Characteristic of this period is the presence of burial mound complexes.

The Bronze Age consists of three stages, each one having the peculiarities of archaeological cultures, which form it.

The Early Bronze Age (middle of 3^rd millennium – early 2^nd millennium B.C.) is represented by the Ochre Graves culture (Yamna culture), the representatives of which are identified with the ancient Indo-Europeans [7]. In this period there are also included the Catacomb Graves culture [1] and the Edinet culture [5, 6]. The material culture of the population is notable for the presence of battle axes with irreproachably processed surfaces [1].

The Middle Bronze Age (early 2^nd millennium – middle of 2^nd millennium B.C.) is represented by the culture of pottery ornamented with many bolsters, of the Eurasian origin, and the Komarov culture [8], the last being a peripheral expression of the Bronze Age cultures from Poland and Western Ukraine.

The Late Bronze Age (middle of 2^nd millennium – late 2^nd millennium B.C.) is characterized by the emergence of the Noua-Sabatinovka-Coslogeni cultural complex, which combined elements of the Eurasian and Carpathian-Balkan origin, including vessels with handles [9]. The representatives of this cultural complex inhabited a vast territory from the North Pontic steppes to the Transylvanian Plateau. These communities were mainly engaged in cattle-breeding. The peculiarity of the Late Bronze Age is the presence of hoards with bronze items. In the Museum collection there are many such unique objects: axes, daggers, sickles, needles, vessels, adornments, and votive items [2, 3, 4].

1.Battle axe-hummer, the Catacomb culture