#Exhibit of the Month

This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth.
Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.

The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.

Virtual Tour

Chronological Axis

Bronze Age

(early 3rd millennium B.C. – late 2nd millennium B.C.)

The Bronze Age is a cultural and historical period characterized by the appearance and spreading of items made of bronze – the first metal created artificially. In the Carpathian-Dniester area the first bronze objects appear in the early 3^rd millennium B.C., becoming the most widespread to the end of the Age. Along with bronze items, the material culture is also represented by ceramic vessels of different shapes, decorated and plain, and implements made of stone, bone, and horn. Characteristic of this period is the presence of burial mound complexes.

The Bronze Age consists of three stages, each one having the peculiarities of archaeological cultures, which form it.

The Early Bronze Age (middle of 3^rd millennium – early 2^nd millennium B.C.) is represented by the Ochre Graves culture (Yamna culture), the representatives of which are identified with the ancient Indo-Europeans [7]. In this period there are also included the Catacomb Graves culture [1] and the Edinet culture [5, 6]. The material culture of the population is notable for the presence of battle axes with irreproachably processed surfaces [1].

The Middle Bronze Age (early 2^nd millennium – middle of 2^nd millennium B.C.) is represented by the culture of pottery ornamented with many bolsters, of the Eurasian origin, and the Komarov culture [8], the last being a peripheral expression of the Bronze Age cultures from Poland and Western Ukraine.

The Late Bronze Age (middle of 2^nd millennium – late 2^nd millennium B.C.) is characterized by the emergence of the Noua-Sabatinovka-Coslogeni cultural complex, which combined elements of the Eurasian and Carpathian-Balkan origin, including vessels with handles [9]. The representatives of this cultural complex inhabited a vast territory from the North Pontic steppes to the Transylvanian Plateau. These communities were mainly engaged in cattle-breeding. The peculiarity of the Late Bronze Age is the presence of hoards with bronze items. In the Museum collection there are many such unique objects: axes, daggers, sickles, needles, vessels, adornments, and votive items [2, 3, 4].

1.Battle axe-hummer, the Catacomb culture