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#Exhibit of the Month
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This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth. Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection. The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.
Virtual Tour
Chronological Axis
Aeneolithic Age
(late 5th millennium B.C. - early 3rd millennium B.C.)
The archaeological collections related to this period are the most representative ones. The development of material and spiritual culture testifies to the existence of different communities of farmers and nomadic cattle-breeders. Representatives of the Cucuteni-Tripolye culture inhabited the vast territory from the Carpathians to Dnieper for about 1,500 years (late 5th millennium B.C. – early 3rd millennium B.C.).
In the territory of the Republic of Moldova there are known more than 600 settlements of farmers, some of which were archaeologically investigated: Floresti, Rogojeni, Rusestii Noi, Radulenii Vechi, Petreni, Varvareuca, Brinzeni, etc. At this time there were first produced metal (copper) items. Tools made of bone and stone are predominant. The earthenware collection is remarkable for the variety of vessels decorated with carving or painted in diverse ornamental styles. The ornamental compositions contain cosmologic scenes, astral symbols, fantastic animals, and anthropomorphic deities. The spiritual life of the communities is represented by an impressive collection of zoo- and anthropomorphic figurines.
At the same time in the south of the Prut-Dniester area there was spread the Bolgrad-Aldeni culture represented by an impressive material.
Cattle-breeding tribes from North-Pontic steppes, which are represented here by the archaeological monuments of the Suvorovo-Novodanilovca and Cernavoda type, played an important part in the history of Aeneolithic communities. The stages of transition from the Aeneolithic to the Bronze Age in the Prut-Dniester area are represented by the archaeological cultures like the Brinzeni, Gordinesti, and Usatovo ones, which have harmoniously combined elements of the Cucuteni civilization and features of the cultures of the North-Pontic cattle-breeders identified with the ancient Indo-Europeans.
| 1.Vessel, the Bolgrad-Aldeni culture |
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| 2.Vessel, the Bolgrad-Aldeni culture |
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| 3.Female figurine of “Orante” type, the Bolgrad-Aldeni culture |
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| 4.Painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture |
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| 5.Head of anthropomorphic figurine representing a slipping female deity, the Late Cucuteni-Tripolye culture |
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| 6.Anthropomorphic top of lid representing male deity, the Early or the Middle Cucuteni-Tripolye culture |
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| 7. Female figurine sitting on the zoomorphic “throne”, the Early Cucuteni-Tripolye culture |
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| 8.Female figurine, the Early Cucuteni-Tripolye culture |
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| 9.Stemmed “fruit dish” vessel with lid, with incised and excised decoration, the Early Cucuteni-Tripolye culture |
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| 10.Stemmed “fruit dish” vessel with incised and excised decoration, the Early Cucuteni-Tripolye culture |
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| 11.Stemmed “fruit dish” vessel with painted design, the Middle Cucuteni-Tripolye culture |
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| 12.Painted anthropomorphic amphora with lid, the Middle Cucuteni-Tripolye culture |
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| 13.Painted amphora with representation of the Great Goddess possessing animals, the Late Cucuteni-Tripolye culture |
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| 14.Female figurine, the Late Cucuteni-Tripolye culture |
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| 15.Bowl with zoomorphic representations, the Late Cucuteni-Tripolye culture |
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| 16.Painted pear-shaped vessel, the Late Cucuteni-Tripolye culture |
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| 17.Painted vessel, the Late Cucuteni-Tripolye culture |
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| 18.Female figurines, the Late Cucuteni-Tripolye culture |
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| 19.Female figurines, the Late Cucuteni-Tripolye culture |
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| 20.Painted amphora, the Late Cucuteni-Tripolye culture |
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| 21. Copper items, the Middle Cucuteni-Tripolye culture |
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| 22. Painted dishes and bowls, the Late Cucuteni-Tripolye culture |
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| 23.Painted vessels, the Middle Cucuteni-Tripolye culture |
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| 24.Binocular vessel, the Middle Cucuteni-Tripolye culture |
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| 25.Figurine of a bull, the Late Cucuteni-Tripolye culture |
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| 26. Painted vessels: lidded anthropomorphic amphora representing a female deity and bowl, the Middle Cucuteni-Tripolye culture |
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| 27. Binocular vessel, the Middle Cucuteni-Tripolye culture |
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| 28. Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture |
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| 29.Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture |
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| 30. Fragment of design of a painted amphora with zoomorphic representations, the Late Cucuteni-Tripolye culture |
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| 31.Fragment of design of a painted amphora with the scene of a ritual dance, the Late Cucuteni-Tripolye culture |
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| 32.Copper axe, the Late Cucuteni-Tripolye culture |
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| 33. Bone daggers, the Late Cucuteni-Tripolye culture |
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31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
