#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.

The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

Virtual Tour

Chronological Axis

Iron Age and Antiquity

(last centuries of 2nd millennium B.C. – first centuries of 1st millennium A.D.)

The beginning of the Iron Age in the area between Prut and Dniester is considered in the pan-European context of “hallstattization” of material and spiritual culture of the population – phenomena, which started in the last centuries of the 2nd millennium B.C. and completed in the first centuries of the 1st millennium A.D.

The framework of the Iron Age includes several large periods. The first one is the period of Thracian Hallstatt represented by the cultures of Cisinau-Corlateni, Saharna-Solonceni-Cozia, and Soldanesti-Basarabi type. This period is characterized by the pottery ornamented with grooves and incisions. Bronze items were widespread. In the period of hallstattization of the East-Carpathian forest-steppe regions, in the steppe areas the nomadic cattle-breeders dominated (the Belozerca culture). The Cimmerians often penetrated in their environment (9th – 7th centuries B.C.). By the middle of the 7th century B.C. the Scythian tribes appear in the region. Vestiges of their material culture can be found mainly in the funeral complexes.

The period of Hallstatt is important for the fact that it laid the foundation of the Getae-Dacian culture that existed in the 6th – 1st centuries B.C. The number of the archaeological sites attributed to the Getae at present amounts to 250. The Getae settlements and fortresses were fortified with ramparts and moats. Fortifications were found in different localities, of which Trebujeni, Butuceni, Saharna Mare and Saharna Mica, Stolniceni, and Mascati are the most representative ones. The predominant funeral rite was incineration. Material culture of the Getae includes pottery, tools and weapons made of bronze and iron, buckles, bracelets, mirrors, glass beads. Discoveries of coins and coin hoards testify to the existence of economic relations with the Greek world.

The presence of these cultural and economic contacts with the population of North-Pontic Greek colonies since the middle of the 1st millennium B.C. is supported by the discovery of imported items, such as amphorae, beautiful vessels, and gold jewellery, at the settlements and necropolises. Greek amphorae constitute the largest group of the imported items. They have allowed identifying of the production centres, which exported goods, especially wine and olive oil, to the region. The museum collection contains the amphorae produced in the Greek poleis of Chios, Lesbos, Samos, Thasos, Heraclea, Tauric Chersonese, Sinope, etc. The earliest objects date from the late 6th century B.C., and the latest ones date from the early 2nd century B.C.

A significant group of Greek artefacts consists of black-glazed vessels (kantharos, kylix, skyphos, bowl, fish-plate, lekythos). The earliest ones date from the late 5th century B.C. The red-figure pelike with representations of the Greek mythical personages found in the tumulus 1 from Manta, the golden necklace from the tumulus 5 from Dubasari, and the Olanesti hoard are the real pearls of the museum collection. In the last centuries of the 1st millennium B.C., from the northwest Germanic tribes of the Bastarnians penetrate to the region. Since the 1st century B.C. from the east towards the Prut-Dniester area there was advancing a new wave of cattle-breeders – the Sarmatian tribes, which had many imported Roman objects in their material culture.

The end of armed confrontations with the Roman Empire in 105 – 106 signified the acceleration of Romanization of the local population, the adoption of different forms of material culture and spiritual life. Vestiges of the free Dacians, investigated in the recent years, are significant in this sense.

One of the most representative cultural and historical phenomena of the first centuries A.D. was the Santana de Mures – Chernyakhov culture. There are known hundreds of settlements and necropolises with a large variety of material: vessels of different shapes; gold and silver jewellery; bone, glass, bronze, and iron items.

With the bearers of this culture the era of the great migrations of peoples begins. After them came the Huns, Slavs, Hungarians, Pechenegs, Kumans, Mongols, which were staying in the territory for a long or short time.